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Nearly White Hot Stamper

Liszt / Piano Concertos 1 & 2 / Kondrashin / Richter

  (Item #: lisztpiano_1908_1) 

Our Price: $199.99

  • This pressing has nearly White Hot Stamper (A++ to A+++) sound on both sides, just shy of our big Shootout Winners
  • The finest Liszt 1st and 2nd Piano Concertos we know of for their performances, and unquestionably for sonics (when the sonics are this good!)
  • More like LIVE MUSIC than any classical recording I have played in longer than I care to remember
  • So big, rich and transparent we guarantee you have never heard a better piano concerto recording (unless you already one of our White Hot copies!)
More of the music of Franz Liszt (1811-1886)


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Super Hot Stamper

Liszt / Piano Concertos 1 & 2 / Kondrashin / Richter

  (Item #: lisztpiano_1910) 

Our Price: $149.99

  • An outstanding pressing of superb classical works, with solid Double Plus (A++) sound or close to it from start to finish - exceptionally quiet vinyl too
  • With lively, present piano and a smooth, full sounding orchestra, this is just the right sound for this music
  • The finest Liszt 1st and 2nd Piano Concertos we know of for their performances, and unquestionably for sonics (when the sonics are this good!)
  • So big, rich and transparent we guarantee you have never heard a better piano concerto recording (unless you already one of our White Hot copies!)
More of the music of Franz Liszt (1811-1886)


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Table / Arm / Cartridge Set-up Advice

  (Item #: set-up) 



Click here for advice on how to go about adjusting tracking weight, Vertical Tracking Angle (VTA), azimuth, Anti-skate and the like.

This link will take you to more advice for improving the sound of your playback.



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Albeniz / Iberia - Ansermet

Our Shootout Winner from 2017

  (Item #: albeniberi_2017) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

The sound of this copy is so transparent, undistorted, three-dimensional and REAL, without any sacrifice in solidity, richness or Tubey Magic, that we knew we had a real winner on our hands as soon as the needle hit the groove.

We were impressed with the fact that it excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, pulling the listener into the space of the concert hall in an especially engrossing way.

More of the music of Isaac Albeniz (1860-1909)


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Albeniz / Suite Espanola - De Burgos

Speakers Corner Reviewed

  (Item #: albensuite_speakerscorner) 



Sonic Grade: B

One of the better Speakers Corner Deccas! Excellent sound and lovely music. This pressing also sounds much better than the Super Analogue pressing of the same music. When you get the right original pressing -- London or Decca -- they’re even better, but they sure are hard to find on quiet vinyl.

Check out our Heavy Vinyl Scorecard to read all about the latest winners and losers.

More of the music of Isaac Albeniz


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Albeniz / Suite Espanola / De Burgos

What to Listen For

  (Item #: albensuite_wtlf) 



Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of Suite Espanola.

Wow, is this record ever DYNAMIC! I would put it in the top 2 or 3 percent of the most dynamic recordings we have played over the course of the last twenty five years. It also has tons of DEPTH. The brass is at the far back of the stage, just exactly where they would be placed in the concert hall, which greatly adds to the realism of the recording.

More of the music of Isaac Albeniz


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Azimuth, VTA, Anti-Skate and Tracking Weight

We Got to Live Together

  (Item #: Azimuth) 



With a shout out to my man Sly!

In this listing you can find commentary and advice about tonearm azimuth adjustment, Ansermet’s recordings, Speakers Corner 180g pressings, and more.

More of the Best Recordings Made in Victoria Hall


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Bizet & Saint-Saens / Carmen Fantasie

This Is Why You Must Do Shootouts

  (Item #: bizetcarme_wtlf) 



Ricci’s playing of the Bizet-Sarasate Carmen Fantasie is OUT OF THIS WORLD. There is no greater performance on record in my opinion, and few works that have as much Audiophile Appeal. Which is why I've had a copy of this record in my own collection for about fifteen years marked "My Demo Disc". But this copy KILLED it. How could that be?

It just goes to show: No matter how good a particular copy of a record may sound to you, when you clean and play enough of them you will almost always find one that's better, and often surprisingly better. Shootouts are the only way to find these kinds of records. Nothing else works.

More of the music of Georges Bizet (1838-1875)


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Brahms Violin Concerto

Is the 1s Pressing Always the Best?

  (Item #: brahmvioli_1903_myth) 



This early Shaded Dog pressing of a 1958 recording has surprisingly good Super Hot stamper sound on side two. On the second side the sound opens up and is very sweet, with the violin becoming much more present and clear. The whole of side two is transparent with an extended top. Usually the earliest Living Stereo titles suffer from a lack of top end extension, but not this one.

Maybe the 1S is that way. For some reason audiophiles tend to think that the earliest cuttings are the best, but that's just another Record Myth in our experience, easily refuted if you've played hundreds of these Living Stereo pressings and noted which stampers sound the best and which do not.

More recordings featuring the violin


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Brahms, Handel, Chopin - Lincoln Mayorga, Pianist

Reverse Your Polarity!

  (Item #: variobrahm_mayorga) 



This IMMACULATE Sheffield Direct-to-Disc LP with Very Little Sign Of Play (VLSOP) is one of the best Sheffields. Lincoln Mayorga is an accomplished classical pianist: this is arguably his best work. (I had a chance to see him perform at a recital of Chopin's works early in 2010 and he played superbly -- for close to two hours without the aid of sheet music I might add.)

You might want to try reversing the phase when playing this LP; it definitely helps the sound, a subject we discuss below.

See more of our Direct to Disc recordings


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British Band Classics Vol. 2

The First Classical Record I Bought as an Audiophile

  (Item #: holstbriti_golden_import) 



British Band Classics Volume Two was the first Mercury classical LP I ever bought. After hearing it at an audiophile friend's house I went down to Tower Records and found one in the bin. I think the price was $3.99 for the Golden Import pressing, which of course was the only one available. That was what I had heard, so I had no idea that the original even existed, let alone sounded better and would one day sell for many hundreds of dollars. This was the '70s, when you could walk into a record store and buy new records, and long before HP created a feeding frenzy for vintage Mercs.
More of the music of Gustav Holst (1874-1934)


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Bruch - Mozart / Violin Concertos / Heifetz

Our Shootout Winner from 2011

  (Item #: bruchconce_2011) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

Both sides of this Shaded Dog pressing of Heifetz and the New Symphony Orchestra of London have sound that earned the quite respectable sonic grades of A+ to A++.

Side one is tonally correct and lively, but suffers from a bit of the all-too-common tube smear, no doubt from the mastering chains and record presses that were in use at the time. (Most modern mastering chains and record presses are, to our ears, even worse, so this is not to denigrate the engineers at RCA in any way. It's simply to say that with Tubey Magic you often get tubey smear.)

More of the music of Max Bruch


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Bruch / Scottish Fantasy / Heifetz

Our Shootout Winner from 2012

  (Item #: bruchscott_2603_2012) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

WHITE HOT Stamper sound for the Bruch side of this original RCA Shaded Dog, one of the best Heifetz concerto titles of all time. (I'm trying to think of a Heifetz title that sounds better and coming up blank.)

This was our shootout winner on side two, beating all comers, earning our highest grade, the full Three Pluses (our blue ribbon, gold medal, and best in show all wrapped into one). The sound is nothing short of DEMO DISC QUALITY.

More of the music of Max Bruch


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Chopin / Fantasy - Impromptu, more / Philippe Entremont

Our Shootout Winner from 2014

  (Item #: chopifanta_2014) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

The subtitle of the album reads Philippe Entremont Plays Best-Loved Piano Pieces.

After hearing this one as well as another exceptionally good sounding copy, we would like to amend that to Philippe Entremont Plays the Hell Out of These Best-Loved Piano Pieces.

Truly this is an undiscovered gem from Columbia in 1966.

More of the music of Frederic Chopin (1810-1849)


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Chopin / Various Works / Badura-Skoda

Reviewed in 2011

  (Item #: chopbadur_2011) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

TWO SUPER HOT SIDES for this collection of solo piano works by one of the instrument's foremost composers. Big, clear and solid on both sides, this is superb music performed and captured with honesty.

If you can handle a bit of noise, this is an excellent way to hear some of the finest piano music ever written, beautifully laid out on a big soundstage.

More of the music of Frederic Chopin (1810-1849)


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Classic Records

First Three Classical Releases
Debunked

  (Item #: classic_180_debunk) 



Sonic Grade: D

Hall of Shame Pressings, Every One

I’m reminded of the nonsense I read in TAS and elsewhere in the mid-’90s regarding the reputed superiority of the Classic Records Living Stereo reissues. After playing their first three titles: 1806, 1817 and 2222 (if memory serves), I could find no resemblance between the reviews I read and the actual sound of the records I played. The sound was, in a word, awful. To this day I consider them to be the Single Worst Reissue Series in the History of the World.


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Classical Music on Vinyl

An Overview

  (Item #: classical_benefits) 



We often mention the benefits to be gained from regularly listening to classical music. Once a week would make a good rule of thumb for playing a classical record or two I should think.

We all love our rock, jazz, folk and the rest, but there is something about classical music that has the power to restore a certain balance in your musical life that, for whatever reason, cannot be accomplished through other music. Perhaps it grounds your listening experience in something less immediately gratifying, something that grows deeper and more enriching over time. Once the effect has taken hold, the changes in one's mood are easy to recognize.

More of the Best Recordings Made in Victoria Hall


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Columbia Classical LPs

So Many Are So Bad -- How Can This Be?

  (Item #: columbia_c) 



Columbia classical recordings have a tendency to be shrill, upper-midrangy, glary and hard sounding. The upper mids are usually nasally and pinched; the strings and brass will screech and blare at you in the worst way. If Columbia's goal was to drive the audiophile classical music lover screaming from the room, most of the time they succeeded brilliantly. Occasionally they fail. When they do we call those pressings Hot Stampers.
See more entries in our Classical Commentary series


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EMI

Home to a Select Group of Our Favorite Classical Recordings

  (Item #: allemi) 



We've never been all that hot on EMI's orchestral recordings. We discuss the issue at some length below for those of you who may be interested. An excerpt:

We could never understand why audiophiles revered EMI the way they did back in the '70s. I chalk it up to the limitations of the equipment, bad rooms and poor record cleaning.

EMI Classical Albums with Hot Stampers

EMI Classical Albums We've Reviewed


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Gershwin / An American In Paris & Rhapsody In Blue / Bernstein

What To Listen For

  (Item #: gershrhaps_6091_wtlf) 



This original Six Eye LP has the smooth brass and full-bodied strings that allow this wonderful music to astound the listener.

Smooth and solid, not brash or blary, what really impressed about the sound here was how full it was, yet it was never thick or murky. Instead it was transparent in the lower mids and below, and that sound was just glorious after listening to too many thin and brash pressings. The piano is solid, rich, high-rez and very percussive -- there is no tubey Old School smear to be heard, and that too was a surprise.

More of the music of George Gershwin


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Gershwin / An American In Paris & Rhapsody In Blue

Our Shootout Winner from 2015

  (Item #: gershrhaps_6091_2015) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

I’ve always loved these performances, but the shrill Columbia sound has been hard to get past. So many copies suffer from upper-midrangy, glary, hard sound and blary brass. I've come to accept that this is nothing more nor less than the "Columbia Sound," and as a consequence I rarely put much effort into surveying their prodigious catalog these days.

I won't say all that's changed; it really hasn't. The vast majority of Columbia classical pressings are still going to sound as awful as they have in the past.

More of the music of George Gershwin


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Gershwin / Concerto in F / Boston Pops (LSC 2586)

Classic Records Debunked

  (Item #: gershconce_2586_debunk) 



Sonic Grade: C-

I must admit Classic did a passable job with this one. The two things that separate the good originals from the reissue are in some ways related. Classic, as is their wont, boosted the upper midrange, and that, coupled with their transistory mastering equipment, makes the strings brighter, grainier and yet somehow lacking in texture and sheen compared to the originals. Once you recognize that quality in the sound of a record it's hard to ignore, and I hear it on every Classic Record I play.

More of the music of George Gershwin


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Gershwin / Concerto in F / Boston Pops (LSC 2586)

Reviewed in 2005

  (Item #: gershconce_2586_2005) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

The best copy I've ever heard. Takes this recording to a new level beyond the best shaded dogs. It's plainly cut cleaner. One dead giveaway is that the tape hiss is reproduced accurately for the first time, which means that all the high frequencies and their attending harmonics are fully evident, for the first time in my experience anyway.

The explosive opening on this wonderful LP is a prime example of DEMONSTRATION QUALITY sound. Incredibly deep and powerful bass. Great brass.

More of the music of George Gershwin


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Gilbert and Sullivan / Pirates of Penzance

Our Shootout Winner from 2009

  (Item #: gilbepirat_lon_2009) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

EXCELLENT sound on EVERY side, which means it is truly a Demo Disc. On virtually every side it has the kind of rich, sweet Decca/London sound over which we audiophiles have been known to drool. It's nothing short of AMAZING on the White Hot side -- so lively, rich and HUGE. This is a Top London pressing in every way.

And it just so happens that such superb sonics are found on a lowly budget reissue, the Jubilee London label, pressed in Holland no less! Thank goodness we don't judge records either by their labels, their country of manufacture or their pressing era.

More Gilbert & Sullivan


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Grieg / Peer Gynt / Fjeldstad / LSO

Speakers Corner Reviewed / VTA Advice

  (Item #: griegpeerg_speakers_corner) 



Sonic Grade: C+

The Fjeldstad has long been one of our favorite performances of Peer Gynt here at Better Records.

This record is handy for VTA set-up as well, a subject discussed below in our listing from 2010.

More of the music of Edvard Grieg (1843-1907)


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Heavy Vinyl Reviews

Obvious Differences Don't Seem to Register

  (Item #: rimskscheh_reviews) 



There is a newly remastered 33 RPM pressing of the album which has garnered rave reviews in the audiophile press. We have played it and will report our findings at the appropriate time.

Have you noticed that in many of the reviews for the new pressing, the original used for comparison is a Shaded Dog? In our experience almost no Shaded Dog pressings are competitive with the better White Dog pressings, and many of them are just plain awful, as we have mentioned previously on the site. At best one out of three would qualify to be offered as a Hot Stamper; most simply would not make the cut.

More of the music of Rimsky-Korsakov (1844-1908)


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Holst - The Planets

Testing with Mars and Saturn

  (Item #: holstplane_emi_wtlf) 



Another in our series of Home Audio Exercises with specific advice on What to Listen For (WTLF) as you critically evaluate your copy of The Planets.

Mars on the first side and Saturn on the second present serious challenges for any vinyl pressings you may own. Generally speaking, the White Hot copies tend to have a bit more top end extension, and/or more lower end weight. Let's get to the specifics of the two movements we feel are the best test for The Planets as a whole.

More of Gustav Holst's music


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Holst, Steinberg and The Planets

A Shootout Years in the Making

  (Item #: holst_2014) 



In July of 2005 we noted on the site that Hot Stampers for this album were discovered, and interested parties should watch the site for killer copies in the coming months. Obviously we didn’t know at the time that the number of coming months would be THIRTY TWO. That's how long it would be before we could offer our loyal customers truly Hot Stampers, but hey, good things come to those who wait, right?
More of the music of Gustav Holst (1874-1934)


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JS Bach / Glenn Gould Plays Bach / Gould

Reviewed in 2012

  (Item #: bach_parti_2012) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

This 3 LP set on the early White Arrows 360 Label has three sides that earned sonic grades of Super Hot or better, with two sides being White Hot and pretty darn amazing for an old Columbia pressing (Columbia being an egregiously bad label when it comes to the sound of their classical records).

This set is highly regarded in classical circles and does not sit in the used record bins for cheap, even in reissue form, which limits our ability to find them and try them. On top of that there are six sides to play for every copy, so if is very unlikely we will be able to find a better copy for you down the road than this one anytime soon. The surfaces are about Mint Minus Minus, not bad for a solo piano record but not exactly quiet either.


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JS Bach / Mozart - Two Violin Concertos

Reviewed in 2011

  (Item #: bach_conce_1129_2011) 



This original plum label Victrola pressing from 1965 has SUPERB sound on both sides. The Bach piece is a rich tapestry of strings spread across the stage and clearly separated left to right. There's not much depth but that seems of little consequence; all the instruments are heard in their proper space and location. The tonality is right on the money throughout.

The Mozart concerto starts out sounding a bit opaque, but about an inch or so into the side it opens up wonderfully, with sweet, spacious, natural sound from there on out. Jaime Laredo plays both works superbly, and the Living Stereo quality sound brings his playing to life in a way that few recordings can.

More of the music of Johann Sebastian Bach (1685-1750)


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JS Bach / Organ Music / Richter

  (Item #: bach_organ_6173) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

This London Whiteback pressing of CS 6173 has SUPERB SOUND! Like its brother, CS 6172, recorded by Richter in 1954, probably on the same day, the sound of this early stereo 2 mic recording is amazingly spacious and rich.

Here's what I said about 6172; You can feel the cool air in the hall! Some audiophiles buy organ records to show off their subwoofers. Records like this can do that but records this good have musical qualities far beyond simple demonstrations of bass reproduction. Karl Richter understands this music perfectly and makes it come alive in a way I've never heard any other musician manage to do.

More of the music of JS Bach (1685-1750)


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JS Bach / Organ Music Volume 2 / Weinrich

Reviewed in 2011

  (Item #: bach_organ_2649_2011) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

This is an exceptionally quiet Shaded Dog pressing with SUPERB SOUND on side one. The organ is so big and relaxed sounding you can't help but forget you are in your listening room, not a church.

More of the music of Johann Sebastian Bach


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JS Bach / Sonatas & Partitas / Milstein/ 3 LP Box Set

  (Item #: bach_son) 


This DG Italian Import 3 LP Box Set used to impress us for sonics but now, in 2014, it sounds like a good -- but not good enough to recommend -- DG pressing. Pick it up for cheap if you like these works, otherwise it's probably advisable to pass.
See all of our pressings with Nathan Milstein performing


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JS Bach / Sonatas & Partitas For Solo Violin / Martzy

Reviewed in 2012

  (Item #: bach_sonat_2012) 



This Minty British "Sitting Angel" pressing has Super Hot Stamper sound on side two, reproducing accurately the sound of a solo violin in what sounds to us like a fairly lively and resonant rehearsal hall. Perhaps accurately is not the right word, since obviously none of us have ever set foot in whatever room the music was recorded in. "Realistic" might be a better choice in that regard, since the sound is believable for what we would expect that room might have contributed to the sound we hear on the pressing in hand.

Interestingly, the sound on side two is a tad better than side one -- the violin is more present and warm, the room less resonant (in a good way).

More of the music of Johann Sebastian Bach


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JS Bach / Suite #2 / Janigro

Reviewed in 2007

  (Item #: bach_suite_2007) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

This is a 1S/ 1S Indianapolis pressing with A1 metal mothers from 1960 with sweet sound! Perfectly fitting for these Baroque pieces recorded in Italy.

More of the music of Johann Sebastian Bach


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JS Bach / Suites for Solo - Cello Two and Five / Starker (SR90370)

Reviewed in 2010

  (Item #: bach_suite_2010) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

EXCELLENT CELLO REPRODUCTION and MOSTLY QUIET VINYL on side one, where you get Bach's entire Suite No. 2 for Unaccompanied Cello. Side two has excellent sound as well but the vinyl is noisy so take this one at a bargain price and hear how wonderful solo cello can sound when recorded and mastered for maximum effect, live in your listening room!

The sound of Starker's cello here is HUMONGOUS -- it'll fill up your room, wall-to-wall and floor-to-ceiling! It's also tonally correct from top to bottom, a quality we heard on NONE of the new Mercury heavy vinyl reissues. The cutting is super low distortion on this later label copy as well. This copy will show you in short order why these Starker Mercury records are so highly prized.


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JS Bach / The Goldberg Variations / Glenn Gould

Reviewed in 2011

  (Item #: bach_goldb_2011) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

Interesting record. The first side sounds about like what one would expect from an old Columbia six-eye mono piano recording -- not bad but not particularly good either, with a tonally correct but rather small and distant piano in the middle of a big room.

Imagine our surprise and delight when we flipped the record over and heard a shockingly ROBUST, CLEAR and PRESENT piano, sounding pretty much -- if one were to close one's eyes -- like a real piano in a practice hall. We call it at least Super Hot Stamper sound. Without more copies to compare it to, this may be for all practical purposes As Good As It Gets.

More of the music of JS Bach


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JS Bach / Virgil Fox -The Fox Touch, Volume 1

Reviewed in 2010

  (Item #: bach_thefo_2010) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

[This review was written in 2010. Since then I have played copies of these Crystal Clear organ recordings and been much less impressed. The ambience is a fraction of what it should be, and the reason I know that is that the vintage organ recordings I play have dramatically more size and space than these audiophile pressings do. Live and Learn.]

Are we changing our tune about Audiophile records? Not in the least; we love the ones that sound right. The fact that so few of them do is not our fault.

More of the music of Johann Sebastian Bach (1685-1750)


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JS Bach / Voilin Concertos / Igor and David Oistrach

  (Item #: bach_voili_dg) 



This Minty looking Deutsche Grammophon LP is rich and smooth. We didn't have any other copies to compare this to, but we've played enough DG LPs around here to know that the average pressing is nothing to get too excited about! If we were giving this a Hot Stamper rating, we'd put it at about A+ on both sides.
More of the music of Johann Sebastian Bach


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JS Bach and Liszt / Organ Music / Richter

Reviewed in 2007

  (Item #: bach_organ_6172) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

This is a Minty looking London Red Label LP with Virtually No Sign Of Play (VNSOP).

You can feel the cool air in the hall! Some audiophiles buy organ records to show off their subwoofers. Records like this can do that but records this good have musical qualities far beyond simple demonstrations of bass reproduction. Karl Richter understands this music perfectly and makes it come alive in a way I've never heard any other musician.

More of the music of Johann Sebastian Bach


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Liszt / The Music of Franz Liszt / Fiedler

Our Shootout Winner from 2010

  (Item #: lisztmusic_2442_2010) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

The rich, textured, rosin-on-the-bow lower strings on this record are to die for. Find me a modern record that sounds like this and I will eat it, and by "modern record" we hasten to include both modern recordings and modern remasterings of older recordings. NO ONE alive today can make a record that sound even remotely like this.

To call it a lost art is to understand something that few vinyl-loving audiophiles appear to have grasped since the advent of the Modern Reissue, which is simply this: they don't sound as good.

More of Franz Liszt's music in stock


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London Orchestral Records from the '70s

And the Problem of Opacity

  (Item #: straualsos_6978) 



Another in our ongoing series of Random Thoughts on issues concerning records.

The average copy of this 1976 recording has that dry, multi-miked modern sound that the '70s ushered in for many of the major labels, notably London and RCA. How many Solti records are not ridiculously thick and opaque? One out of ten? If that. We're very wary of records recorded in the '70s; we've been burned too many times.

And to tell you the truth we are not all that thrilled with most of what passes for good sound on Mehta's London output either. If you have a high-resolution system these recordings, like those on Classic Heavy Vinyl we constantly criticize, leave a lot to be desired.

More orchestral music conducted by Georg Solti


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Massenet - Le Cid Ballet Music

Klavier Debunked

  (Item #: masselecid_debunk) 



Sonic Grade: D

A Hall of Shame pressing.

This hi-fi-ish Doug Sax/ Acoustic Sounds re-butchering of the Fremaux on Klavier is insufferable. Back in the day audiophiles in droves bought them from all the major mail order audiophile record dealers (you know who I'm talking about), apparently not noticing the overblown bass and spark-spark-sparkling top end. (Perhaps the same audiophiles who think that Mobile Fidelity makes good sounding records?)

If your system needs boosted bass and highs try this Klavier pressing. Better yet, fix your stereo so you won't need phony audiophile records like this one to make it sound good!

More of the music of Jules Massenet (1842-1912)


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Mozart / Quintet - Piano + Winds & Trio

  (Item #: mozarquint_6109_vta) 



Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your chamber music recordings.

This is a handy record for VTA setup as well. Listen for fullness and solidity, especially in the piano, although a rich, full sounding clarinet is a joy here as well.

More Mozart


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Mussorgsky - Pictures at an Exhibition / Muti

MoFi Debunked

  (Item #: mussopictu_debunk) 



Sonic Grade: D

A Hall of Shame pressing and another MoFi LP debunked.

The MoFi mastering here is a joke. All that phony boosted top end makes the strings sound funny and causes mischief in virtually every other part of the orchestra as well. Not surprisingly, those boosted highs are missing from the real EMIs.

More Pictures at an Exhibition


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Mussorgsky - Pictures at an Exhibition

Classic Records Debunked

  (Item #: mussopictu_classic_records) 



Sonic Grade: F

A Hall of Shame pressing and another Classic Records LP debunked.

The shrillness, the hardness, the sourness, the loss of texture to the strings, the phony boosted deep bass -- this is the kind of sound that makes my skin crawl. After a minute or two I’ve had it. And the performance is dreadful as well.

HP put this on his TAS List? Yes he did!

More Pictures at an Exhibition


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Mussorgsky - The Power of the Orchestra

Chesky Debunked

  (Item #: mussopower_chesky_debunk) 



Sonic Grade: F

A Hall of Shame Record and another Remastered Audiophile Pressing debunked.

Lifeless, compressed and thin. It’s clean and transparent, I’ll give it that, which is no doubt why so many audiophiles have been fooled into thinking it actually sounds better than the original. But of course there is no original; there are thousands of them, and they all sound different.

The Hot Stamper commentary below is for a pair of records that proves our case in the clearest possible way.

More of the music of Modest Mussorgsky (1839-1881)


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Mussorgsky / The Power of the Orchestra / Leibowitz

Awesome In Mono

  (Item #: mussopower_mono) 



A distinguished member of our Unconventional Hall of Fame.

This is the kind of record that the mono cartridge owners of the world worship. And for good reason. But you don't need to have a mono cartridge to hear how good -- in fact, how much BETTER -- this copy sounds than most of the stereo pressings out there.

I found out about mono classical records one day when I got a mono copy of The Power Of The Orchestra, VCS 2659. It sounded better than any stereo recording of that work I had ever heard. All the instruments were so much more solid sounding, so palpable, so free from distortion, that it made me recognize for the first time what the mono record lovers of the world were talking about.

More of the music of Modest Mussorgsky (1839-1881)


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Offenbach & Chopin / Gaite Parisienne & Les Sylphides

Reverse Your Polarity

  (Item #: offengaite_rd_2016) 



This is one of the pressings we’ve discovered with Reversed Polarity.

Amazing in every way! The top end of this record is clear, clean and correct. No other copy sounded like this one on the first side. When you hear all the percussion instruments -- the tambourines, triangles, wood blocks and what-have-you -- you know instantly that they sound RIGHT.

The overall sound is very different from many of the other recordings of the work that we have offered in the past. Rather than smooth, rich and sweet, the sound here is big and bold and clear like nothing we have ever played.

More of the music of Jacques Offenbach (1819-1880)


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Paganini / Violin Concertos 1 & 2

Expensive Heavy Vinyl Trash

  (Item #: paganvioli_outrage) 



Another in our ongoing series of Random Thoughts on issues concerning (usually old) records.

Had I paid good money to buy this pressing in the hopes of hearing the supremely talented Yehudi Menuhin of 1961 tear it up on Paganini's legendary first two concertos, I can tell you one thing: I would be pissed.

Where is the outrage in the audiophile community over this kind of trash? I have yet to see it. I suspect I will grow quite a bit older and quite a bit greyer before anyone else notices just how bad this record sounds. I hope I'm proven wrong.

More of the music of Niccolò Paganini


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Paganini / Violin Concertos 1 & 2

Fenn Music Debunked

  (Item #: paganvioli_debunk) 



Sonic Grade: F

A Hall of Shame Pressing and another Heavy Vinyl Classical LP debunked.

We managed to get hold of the Heavy Vinyl pressing from Fenn Music in Germany, about which a well known record dealer on the web (you may recognize the style) had this to say:

Stunning Reissue Of EMI ASD 440 Recorded In Stereo In 1961. This Recording Featuring The Royal Philharmonic Conducted By Alberto Erede Provides Convincing Proof, If Any Were Needed, That Menuhin Was One Of The Great Violinists Of The 20th Century.
More of the music of Niccolò Paganini


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Philips Classical Recordings

Must They All Be So Thick, Dull and Opaque?

  (Item #: phillips) 


Most Philips records are much too thick, dull and opaque to be taken seriously, by us anyway. In this respect they have many sonic attributes in common with Londons from the '70s and '80s.

Dropping the needle on the Ravel Piano Concertos with Haas, however, was a wonderful surprise. It's big and spacious throughout, with no trace of smear on a piano that is solid and clear. This is a difficult combination to achieve in our experience, the kind of sound we tend to rave about. It sounds right, and when the sound is as right as it is here, the wonderful piano music of Ravel can truly work its magic.

See more entries in our Classical Commentary series


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Prokofiev / Peter & The Wolf / Rossi

How Does the Narrator Sound?

  (Item #: prokopeter_van_wtlf) 



Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate ANY version of Peter and the Wolf.

The narrator for this piece almost always sounds like he's in a sound booth, of varying sound quality to be sure. (Bernstein's narration is one of the worst in this respect, sounding more like Aqualung than Lennie.)

Somehow Boris Karloff sounds like he is on stage with the orchestra here. He's either been recorded on stage, or precisely the right amount and kind of reverb has been added to his voice to match the sound of the hall.

See more of the music of Sergei Prokofiev


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Prokofiev / Symphonies No. 1 & 7

Seventies EMI Classical LPs and Vintage Tube Playback

  (Item #: prokosym1_emi) 



What to listen for on this album? That's easy: The all-too-common '70s EMI harshness and shrillness. We could never understand why audiophiles revered EMI as a label the way they did back the day. I chalk it up -- as I do most of the mistaken judgments audiophiles tend to make about the sound of records, my own included -- to the limitations of the equipment, bad rooms and poor record cleaning.

If you had vintage tube equipment back in the '70s -- McIntosh, Marantz, etc. (I myself had an Audio Research SP3-A1 and a D-75a, later a D-76a) -- the flaws heard on most copies of this record wouldn't be nearly as offensive as they are to those of us playing them on the much more revealing systems that are possible today.

See all pressings of Prokofiev's music in stock


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Ravel & Dukas / Bolero & Sorcerer’s Apprentice / Ansermet

Our Shootout Winner from 2014

  (Item #: ravelboler_6367_2014) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

We are rarely able to find quality recordings (or performances) of either Bolero or The Sorcerer’s Apprentice, so this pressing comes as an especially welcome addition to the classical offerings on the site.

The sound is clear, with wonderful depth to the stage. As a rule, the classic '50s and '60s recordings of Ansermet and the Suisse Romande in Victoria Hall are as big and rich as any you may have encountered. These recordings strike us as the ideal blend of clarity and richness, with depth and spaciousness that will put to shame 98% of the classical recordings ever made.

More of the music of Maurice Ravel (1875-1937)


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Ravel / Concerto in G / Munch

Reviewed in 2010

  (Item #: ravelconce_fame) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

This is a wonderful sounding performance of Ravel's Piano Concerto, originally available on Shaded Dog (LSC 2271) and overflowing with Tubey Magical Living Stereo sound from 1958. The Victrola here is from 1964, and may or may not sound better than the average original RCA pressing. LSC 2271 is not a record we run into every day, so comparisons would be speculative to say the least.

What we can tell you is that our Victrola here is big, spacious, transparent and clear, with dead-on tonality throughout.

More of the music of Maurice Ravel


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Ravel / Rachmaninoff / The Reiner Sound / Reiner

Classic Records Debunked

  (Item #: ravelreine_2183_debunk) 



Sonic Grade: F

A Hall of Shame pressing and another Classic Records LP debunked.

There is simply an amazing amount of TOP END on this original pressing. Rarely do I hear Golden Age recordings with this kind of ENERGY and extension up top. This is of course one of the reasons the Classic reissue is such a disaster. With all that top end energy, Bernie's gritty cutting system and penchant for boosted upper midrange frequencies positively guarantees that the Classic Reiner Sound will be all but unplayable on a proper system.

More of the music of Maurice Ravel


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Ravel, Saint-Saens et al. / Tzigane, Havanaise / Kyung-Wha Chung

Reviewed in 2012

  (Item #: raveltziga_7073_2012) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

This 1979 London original English pressing of violin showpieces has Super Hot Stamper sound on side two, which came as a bit of a shock to us after playing side one, which is as congested and opaque as one would expect from such a late London recording. Side two is fabulous -- full-bodied, rich and sweet. Even though it may have been recorded in 1977, the engineer is Kenneth Wilkinson, and the hall is Kingsway -- not many bad recordings can be attributed to either.

More of the music of Maurice Ravel


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Records We've Played Vs. Records We've Heard

What's the Difference?

  (Item #: playing_vs_hearing_) 



Please note that we should, but often don't, make a vitally important distinction between two words we tend to use interchangeably on the site. There is a difference between the sound of records that we've played and the sound that we've heard.

The stereo, the listening room, our cleaning technologies and who knows what else are all undergoing constant changes. This means that we may have played a better pressing in the past but couldn't hear it sound as good as it does now. The regular improvements we make in all areas of playback make sonic comparisons over time all but meaningless.

More Orchestral Recordings


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Rimsky-Korsakov - Scheherazade

Classic Records Debunked

  (Item #: rimskscheh_classic_debunk) 



Sonic Grade: F

A Hall of Shame pressing and another Classic Records LP debunked.

In 2009 or 2010, during our testing of the TT Weights turntable products, the record I played again and again -- close to a hundred times over the course of two days -- was a wonderful White Dog pressing of LSC 2446. The sound was glorious, some of the best reproduction of large orchestra I have ever heard.

See more of the music of Rimsky-Korsakov in stock


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Rimsky-Korsakov - The Tale of Tsar Saltan

Speakers Corner Reviewed

  (Item #: rimsktaleo_speakers_corner) 



Sonic Grade: C

We cracked open the Speakers Corner pressing shown here in order to see how it would fare up against a pair of wonderful sounding Londons we were in the process of shooting out a while ago. Here's what we heard in our head to head comparison.

The soundstage, never much of a concern to us at here at Better Records but nevertheless instructive in this case, shrinks roughly 25% with the new pressing; depth and ambience are reduced about the same amount. But what really bothered me was this: The sound was just so VAGUE.

See more of the music of Rimsky-Korsakov in stock


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Saint-Saens - Carnival of the Animals

180g Klavier Debunked

  (Item #: saintcarni_debunk_2015) 



Sonic Grade: D

A Hall of Shame pressing.

Yet another murky, smeary Audiophile Piece of Trash from the mastering lathe of the formerly brilliant Doug Sax. He used to cut the best sounding records in the world. Then he started working for AP and to my knowledge hasn't cut a good sounding record since.

For those of us who remember his consistently superb work in the '70s, we sadly note that he passed away in 2015. I was honored to have met him a few years back at a Chopin concert performed by Lincoln Mayorga.

More of the music of Camille Saint-Saens


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Saint-Saens - Danse Macabre / Ravel, Debussy, Chabrier

Our Shootout Winner from 2016

  (Item #: saintdanse_2016) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

This White Hot EMI pressing has some of the loveliest orchestral music reproduction we’ve ever heard. Man, this copy sure has it going on: it’s super clean and clear, tonally correct from top to bottom, with all of the weight of the orchestra down low on both sides.

If you want a classical record to TEST your system, if you want a classical record to DEMO your system, you will have a hard time finding a better pressing than this very copy.

More of the music of Camille Saint-Saens (1835-1921)


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Satie, Ravel, Debussy / The Impressionists / Herrmann

Our Shootout Winner from 2011

  (Item #: varioimpre_4224_2011) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

Presenting an exceptionally rare and very good sounding Decca Phase IV pressing (with the textured cover, ooh!), the first to ever hit the site. We have been on the lookout for this album for years and somehow cannot find any clean copies, other than this one of course.

Not to worry; this one will do nicely. Three of the six works here have SUPERB better than Super Hot Stamper sound. We went through them one by one and were rather surprised that the sound quality varied so much from track to track.

More Bernard Herrmann


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Schubert / The Trout Quintet / Curzon / Vienna Octet

Original Versus Reissue

  (Item #: schubtrout_6090_2013) 



This unusual 2-pack combines two very different pressings from very different eras to create a complete performance of The "Trout" Quintet with SUPERB Super Hot Stamper (or better) on both sides. One pressing, the one shown, is from the early '60s; the other is from 1982. How could an imported budget late reissue beat a superb Golden Age pressing on any side you ask? Well, the answer to that question is provided by the records we will send you.
More of the music of Franz Schubert (1797-1828)


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Schubert / The Trout Quintet / Curzon

Live Sound Versus Chesky Sound

  (Item #: schubtrout_6090_wtlf) 



What I hear on this pressing is sound that is absolutely free from any top end boost, much the way live music is. There’s plenty of tape hiss and air; the highs aren’t rolled off, they’re just not boosted the way they normally are in a recording.

A few years back I had a chance to see a piano trio play locally; they even perform a piece by Schubert. The one thing I noticed immediately during their live performance was how smooth and natural the top end was. I was no more than ten feet from the performers in a fairly reverberant room, and yet the sound I heard was the opposite of what passes in some circles for Hi-Fidelity.

More of the music of Franz Schubert (1797-1828)


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Schuller / Seven Studies on Themes of Paul Klee / Dorati

Reviewed in 2006

  (Item #: schulseven_2006) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

RFR1/ 2. DEMONSTRATION QUALITY SOUND.

This record has the sound that Mercury is famous for: immediate, dynamic and spacious. This record lives up to the Mercury claim: You immediately feel as though you are in the Living Presence of the orchestra.

This is precisely the kind of record that Speakers Corner would not have a clue how to master. I'd stake my reputation on it, for what it's worth.

Classical Commentaries


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Set-up Discs, Part One

Start with a Large Scale Orchestral Recording

  (Item #: setup_orchestral_recording) 



Classical music is surely the ultimate test for proper turntable/arm/cartridge set-up. The Liszt recording you see pictured is a superb choice for adjusting tracking weight, VTA, azimuth and the like.

One of the reasons $10,000+ front ends exist is to play large scale, complex, difficult-to-reproduce music such as Liszt’s two piano concertos. You don’t need to spend that kind of money to play this record, but if you choose to, it would surely be the kind of record that can show you the sound your tens of thousands of dollars has paid for.

More Set-Up Advice / More Audio Advice


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Set-up Discs, Part Three

Dialing in the Azimuth

  (Item #: setup_azimuth) 



Another in our series of Home Audio Exercises.

The Borodin title you see pictured has DEMO QUALITY SOUND OF THE HIGHEST ORDER!

One of the reasons this record is sounding so good today (1/12/05) is that I spent last weekend adjusting my Triplanar tonearm. The sound was bothering me somewhat, so I decided to start experimenting again with the azimuth adjustment. I changed the azimuth in the smallest increments I could manage, which on this arm are exceedingly small. At some point the bass started to go deeper, dynamics improved, and the overall tonal balance became fuller and richer.

More Set-Up Advice / More Audio Advice


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Set-up Discs, Part Two

Dialing in the Anti-Skate

  (Item #: setup_anti-skate) 



Another in our series of Home Audio Exercises.

I once adjusted my anti-skate while playing this very album, at the time dialing it in to a "T". Over the years I've found that the best test for fine anti-skate adjustment is massed strings, and not just at the end of a side but right at the beginning too.

When you have all the rosiny texture, the high-end harmonic extension, the least shrillness and the widest and deepest staging, you are there, assuming that tracking weight, azimuth and VTA are correct as well.

More Set-Up Advice / More Audio Advice


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Shostakovich & Ravel / Piano Concerto No. 2 & more / Bernstein

Reviewed in 2011

  (Item #: shostpiano_col_2011) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

Super Hot Stamper or BETTER sound for the Shostakovich Piano Concerto No.2, which is positively SUPERB on this later Columbia pressing. It's shockingly transparent, rich and sweet, with wonderful depth and clarity. Where is the shrill, upper-midrangy, glary, hard sound we've come to expect from '60s Columbia recordings like this one?

Well, dear reader, I'll tell you. Right here on this very side two, the Ravel side. It's typical Columbia from the period, with nasally, pinched upper-mids, the kind which make the strings and brass screech and blare at you in the worst way.

More of the music written or performed by Leonard Bernstein


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Sibelius, Liszt, Dukas et al. / Bernard Herrmann Conducts

London Phase 4 Debunked

  (Item #: sibelberna_phase_4) 



Sonic Grade: F

A Hall of Shame pressing.

While preparing for a Finlandia shootout recently we happened to drop the needle on this album, a 1977 Phase 4 recording made in Kingsway Hall and engineered by Arthur Lilley. We could hardly believe how bad it sounded. The multi-miking is the worst I have ever heard! We like lots of Phase 4 recordings -- especially those of Bernard Herrmann -- but this is definitely not one of them.

More of the music of Bernard Herrmann


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Stravinsky - The Song of the Nightingale

Thoughts on the TAS Super Disc List

  (Item #: stravsongo_tas) 



Some thoughts on The Absolute Sound’s Super Disc List and one of its more famous members: Stravinsky’s Song Of the Nightingale with Reiner.
More of the music of Igor Stravinsky


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Stravinsky / The Firebird / Dorati

Classic Records 45 RPM Debunked

  (Item #: stravfireb_debunk) 



Sonic Grade: C-

A customer alerted me to a review Wayne Garcia wrote about various VPI platters and the rim drive, and this is what I wrote back to him:

Steve, after starting to read Wayne's take on the platters, I came across this:

That mind-blowing epiphany that I hadn't quite reached with the Rim Drive/Super Platter happened within seconds after I lowered the stylus onto the "Infernal Dance" episode of Stravinsky's Firebird (45 rpm single-sided Classic Records reissue of the incomparable Dorati/LSO Mercury Living Presence recording).
See more of Stravinsky's music


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TAS List Thoughts on Albeniz

Where on The List Is This Record?

  (Item #: albeniberi_tas) 



Another nail in the coffin for HP’s TAS List. The fact that questionable entries such as Reiner’s Pines of Rome make the cut, and an amazing recording such as this doesn’t, should tell you everything you need to know concerning the value of such an incomplete list.

This is truly DEMONSTRATION QUALITY SOUND! Records simply do not get any more spacious, open, transparent, rich and sweet.

More of the music of Isaac Albeniz (1860-1909)


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Tchaikovsky / 1812 / Marche Slave and More / Alwyn

Our Shootout Winner from 2015

  (Item #: tchai1812o_decca_2015) 



A distinguished member of the Better Records Orchestral Music Hall of Fame.

A BEYOND White Hot Quadruple Plus side one - hear Tchaicovsky's 1812 in Demo Disc sound. This is the most exciting and beautifully played 1812 we know of, with the best sound ever to boot on this copy. This is an exceptional Decca remastering of a superb Golden Age recording on very good vinyl.

More of the music of Peter Ilyich Tchaikovsky (1840-1893)


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Tchaikovsky / 1812 Overture / Kunzel

Telarc UHQR Debunked

  (Item #: tchai1812_UHQR) 



Sonic Grade: D

A Hall of Shame pressing.

This is what we had to say about the UHQR back in 2005 or so:

Having played this record all the way through, I have to comment on some of its sonic qualities. It's about the most dynamic recording I've ever heard. This was the promise of digital, which was never really delivered. On this record, that promise has been fulfilled. The performance is also one of the best on record. It's certainly the most energetic I can remember.

More of the music of Peter Ilyich Tchaikovsky (1840-1893)


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Tchaikovsky / 1812 Overture, Op. 49 / Kunzel

Telarc Debunked

  (Item #: tchai1812_telarc) 



Sonic Grade: D

A Hall of Shame pressing.

If you want an amazingly dynamic 1812 with huge amounts of deep bass for the firing of the cannon you can't do much better than this (or its UHQR brother).

But if you want rich, sweet and tonally correct brass and strings you had best look elsewhere. I've never liked the sound of this record and I'm guessing if I heard a copy today I would like it even less. Who thinks live classical music actually sounds like this?

More of the music of Peter Ilyich Tchaikovsky (1840-1893)


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Tchaikovsky / Piano Concerto #1 / Richter / Karajan

Another Audio Myth Explodes

  (Item #: tchaipiano_myth) 



The original Large Tulip early pressings are the best on this record, right?

Nope. It’s just another Record Myth, as explained in the commentary for our recent Hot Stamper 2-pack. That pair of pressings was all the proof we required to back up our contention that either label can be the best on this classic DG recording. Original is better? Again, not so much. Original can be better fits more with our experience.

See all pressings of Tchaikovsky's music in stock


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The Brahms Violin Concerto

Unplug or Suffer the Consequences!

  (Item #: brahmvioli_test) 



The massed strings here, such as those found at the opening, are close miked and immediate in the "Mercury recording style." Your electricity better be good when you play this record, because it presents a test many of you will have trouble passing at even moderate levels.

We've often encouraged our readers and customers to go about unplugging things in their homes in order to test the effect of clean electricity on their playback systems. The opening of this record is a perfect example of the kind of material with which everyone should be testing in order to hear these changes. I'd be very surprised if the strings on this record don't sound noticeably better after you've unplugged a few things in your house, and the more the better.

More recordings featuring the violin


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The Fantasy Worlds of BH and HP

Decca Vs. London

  (Item #: herrmfanta_decca) 



There’s a reason this record is on the TAS List of Super Discs -- if any LP should be called a Super Disc, this one should. (With Phase Four sound you might even call it a Super-Duper-Disc.)

But Harry is, not atypically, rather misinformed about the catalog number and country of manufacture. He exclusively admits the Decca pressing to his list, and that is clearly contrary to our experience in general as well as our findings for this shootout . The best Decca pressing we played rated no better than a B+ for either side. That’s five -- count them, five -- sonic grades lower than the A Triple Plus sides of our best London copy.

More Bernard Herrmann


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The Music of Leonard Bernstein

Hot Stampers Revealed

  (Item #: bernsmusic_stampers) 



Looking to pick up a Hot Stamper locally on your own? Easy -- all the best Decca and London copies (UK pressed only of course) are 1L on both sides. I suppose it's only fair to point out that all the worst copies are 1L on both sides, the reason being that all the copies are 1L on both sides, regardless of how they sound. And here you thought we were actually trying to be helpful.

But we are being helpful. We're being honest with you. Stamper numbers are often misleading. They're misleading in the same way that a little knowledge is a dangerous thing. The numbers only tell a part of the story, and more often than not they tell the wrong part of the story.

More from our Thinking About Hot Stampers series


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Various Artists - Witches’ Brew on Classic

Whose Idea of an Audiophile Record Is This?

  (Item #: variowitch_debunk) 



Sonic Grade: F

A Hall of Shame pressing and another Classic Records LP debunked.

I've long held that the Classic Records Heavy Vinyl remaster (scandalously it's on the TAS List of Super Discs) is nothing less than a crime against music lovers and audiophiles of every stripe. Boosting the bass and highs and adding transistory harshness is the last thing in the world Witches' Brew needed.

At the risk of insulting some of you out there, if you think the Classic Records version of this album sounds good, your system must be very dull and bass shy, or you must like really hi-fi-ish sound.


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Vertical Tracking Angle (VTA)

A Few Moments of Experimentation Can Really Pay Off

  (Item #: paganvioli_vta) 



Another in our series of Home Audio Exercises with specific advice on What to Listen For (WTLF) as you critically adjust your Vertical Tracking Angle (VTA).

Experimenting with the VTA for this record in preparation for a shootout we found a precise point where it all came together, far exceeding whatever expectations for the recording we had at the time. Correct VTA revealed what to our ears now sounded like a gloriously real violin floating in the room, a huge concert space surrounding it...

More recordings featuring the violin


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My-Fi Versus Hi-Fi

  (Item #: fidelity) 


We went wild recently over a marvelous copy of the Ted Heath record you see pictured. Talk about Tubey Magic, the liquidity of the sound was positively uncanny. This was vintage analog at its best, so full-bodied and relaxed you'll wonder how it ever came to be that anyone seriously contemplated trying to improve upon it.

This is our kind of sound. It's also important to keep in mind that our stereo seemed to love the record. (Stereos do that.) Let's talk about why that might be the case.

Our system is fast, accurate and uncolored. We like to think of our speakers as the audiophile equivalent of studio monitors, showing us exactly what is on the record, with nothing added and (hopefully) nothing taken away.

More Audio Advice


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