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Super Hot Stamper

Brewer & Shipley
Tarkio

  (Item #: brewetarki_1708_1902) 

Our Price: $99.99

  • A consistently good pressing from start to finish, earning Double Plus (A++) grades for sound on both sides - exceptionally quiet vinyl too
  • Tubey magical, rich and sweet, the album is the epitome of the glorious warm sound of a Stephen Barncard recording at its best
  • A Desert Island Disc for yours truly - if you love Hippie Folk Rock, e.g., American Beauty, this album might just knock you out
  • "Notable not just for the inclusion of "One Toke Over the Line" but also for the great back porch stoned ambience of the entire recording, this 1970 effort from the band is ripe with dope references and subversive humor."
More Hippie Folk Rock


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Brewer & Shipley - Down In L.A.

Our Shootout Winner from 2013

  (Item #: brewedowni_2013) 



A distinguished member of the Better Records Rock and Pop Hall of Fame.

One of the BEST copies we've played in many years, close to five I would guess. Brewer and Shipley's first and only release for A&M has long been a Desert Island disc in my world. I consider it one of the top debuts of all time, although it's doubtful many will agree with me about that since I have yet to meet anyone who has ever even heard of this album, let alone felt as passionate as I do about it.

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Brewer & Shipley - Down In L.A.

Listening in Depth

  (Item #: brewedowni_depth) 



Presenting another entry in our extensive Listening in Depth series.

This has long been one of our favorite Hippie Folk Rock albums here at Better Records. If you like Crosby, Stills and Nash's first album or Rubber Soul -- and who doesn't love those two albums -- you should much to like on Down in L.A.

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Brewer & Shipley - Tarkio

Our Four Plus Shootout Winner from 2012

  (Item #: brewetarki_2012) 



A distinguished member of the Better Records Rock and Pop Hall of Fame.

This White Hot Stamper side one of our beloved Tarkio, Brewer and Shipley's Folk Rock Masterpiece, is without a doubt the BEST SOUND we have ever heard on any pressing bar none. This side sets a standard that no other copy on any side could touch. True, we awarded a Triple Plus grade to an amazing side two copy, but this side one is still the better of the two. We could easily have called it Four Pluses but chose to go with the simpler A+++ and this explanation.

However you frame it, this side is OFF THE CHARTS in a big way. It's amazingly rich, yet clear and transparent as any we played -- what a combination!

More Brewer and Shipley


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Brewer & Shipley - Tarkio

Do All the Robert Ludwig Mastered Copies Have Hot Stampers?

  (Item #: brewetarki_RL) 



Even though all the original Pink Label pressings are mastered by Robert Ludwig, they have a marked tendency to be dull, thick and opaque. The sound is just too smooth. The best copies however have the top end and the transparency to let you hear all the guitar and vocal harmonics, surrounded by the large acoustic of the studio.

This time around we discovered something new: one specific stamper that seemed to be the only one with the potential for an extended top end. This special stamper did not always fare well; some copies with it were mediocre. We have always found this to be the way with the "right" stampers; they often let us down and sometimes they really let us down hard.

More Brewer and Shipley


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Brewer & Shipley - Tarkio

Listening in Depth

  (Item #: brewetarki_depth) 



Presenting another entry in our extensive Listening in Depth series with advice on what to listen for as you critically evaluate your copy of Tarkio.

This Bay Area Hippie Folk Rock has a lot in common with The Grateful Dead circa Workingman's Dead and American Beauty (the latter recorded by the same engineer, Stephen Barncard), and like those superbly well-recorded albums, it lives or dies by the reproduction of its acoustic guitars and vocal harmonies.

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Our DOR (Difficulty of Reproduction) Scale

  (Item #: brewedowni_dors) 



We’ve mentioned how difficult some records are to reproduce: how the Revolutions in Audio of the last decade or two have profoundly changed the ability of the seriously dedicated audiophile to get records that never sounded good before to come to life musically in a way previously understood to be impossible.

This is one of those records. But you have to have done your homework if you want to play a record like this, as the commentary below explains.

See more records that rank high up on our Difficulty of Reproduction Scale


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