Reviewed in 2013
Spain has been an audiophile favorite for a very long time. Everybody should know it by now, what with both Chesky and Classic Records remastering it in the '90s, dismally of course, as neither of these companies showed the slightest sense that they understood how lackluster, if not downright awful, the products of their efforts turned out. No doubt Analogue Productions will see fit to ruin the recording the way they ruined Scheherazade. More of the music of Isaac Albeniz more Info
Our Shootout Winner from 2017
The sound of this copy is so transparent, undistorted, three-dimensional and REAL, without any sacrifice in solidity, richness or Tubey Magic, that we knew we had a real winner on our hands as soon as the needle hit the groove. We were impressed with the fact that it excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, pulling the listener into the space of the concert hall in an especially engrossing way. More of the music of Isaac Albeniz (1860-1909) more Info
We were impressed with the fact that it excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, pulling the listener into the space of the concert hall in an especially engrossing way.
Speakers Corner Reviewed
One of the better Speakers Corner Deccas! Excellent sound and lovely music. This pressing also sounds much better than the Super Analogue pressing of the same music. When you get the right original pressing -- London or Decca -- they’re even better, but they sure are hard to find on quiet vinyl.
Check out our Heavy Vinyl Scorecard to read all about the latest winners and losers.
Our Shootout Winner from 2006
This London LP from 1968 has some of the MOST DYNAMIC SOUND I have ever heard on a classical recording. The sound here is BIGGER and BOLDER than any pressing of this record I’ve ever played. The dynamics are absolutely startling in their power here. To be fair the other copy we have on the site has a more extended top end, which is a shortcoming that this copy has -- it's a bit rolled off in the extreme highs. But that other copy lacks weight, so that the orchestral climaxes are thin and feel strained. More of the music of Isaac Albeniz (1860-1909) more Info
What to Listen For
Wow, is this record ever DYNAMIC! I would put it in the top 2 or 3 percent of the most dynamic recordings we have played over the course of the last twenty five years. It also has tons of DEPTH. The brass is at the far back of the stage, just exactly where they would be placed in the concert hall, which greatly adds to the realism of the recording.
Where on The List Is This Record?
This is truly DEMONSTRATION QUALITY SOUND! Records simply do not get any more spacious, open, transparent, rich and sweet.