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Nearly White Hot Stamper

Tony Bennett
I've Gotta Be Me

  (Item #: benneivego_1906) 

Our Price: $179.99

  • Superb nearly Triple Plus (A++ to A+++) sound from start to finish for this original 360 label Columbia pressing
  • Both sides here wonderfully rich, full-bodied, and as Tubey Magical as you would expect from Columbia in 1969
  • Brilliant engineering by Frank Laico, the man who recorded I Left My Heart In San Francisco and Sketches of Spain, among others
  • Tony Bennett was in fine form and still able to sing the hell out of these songs in 1969 - when you hear the quality of his voice on this very album you will perhaps appreciate the toll this century has taken on him
  • Vintage record guys with top quality turntables - like us - get to hear Tony the way he should be heard, with his voice at the peak of its powers
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Super Hot Stamper (Quiet)

Tony Bennett
I Left My Heart In San Francisco

  (Item #: benneileft_1905) 

Our Price: $149.99

  • This copy of Tony Bennett's 1962 classic has outstanding sound, rating Double Plus (A++) for its superb sonics - exceptionally quiet vinyl too
  • Brilliant engineering by Frank Laico at his favorite recording digs (and ours), Columbia 30th Street studios
  • Tubey Magical like you will not believe - you may never have heard a vintage vocal album that sounds as good as this one
  • 5 Stars and the winner of two Grammy Awards in 1962 including Record of the Year (not bad!)
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Super Hot Stamper

Bennett & Evans
The Tony Bennett / Bill Evans Album

  (Item #: benneevans_1905) 

Our Price: $149.99

  • An excellent original pressing of this classic collaboration: Double Plus (A++) sound from start to finish
  • When heard on our best Hot Stamper pressings, the album clearly belongs near the top of the All Time Great Male Vocal Records
  • Waltz for Debby is the best thing here. You want to hear the Bennett-Evans Magic? Go right to that track
  • 4 1/2 stars on Allmusic: "... one of the best albums of either's career... an excellent jazz-pop hybrid in which both musicians were shown off to advantage."
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Super Hot Stamper

Tony Bennett & Count Basie
Strike Up The Band

  (Item #: bennestrik_1812_1903) 

Our Price: $99.99

  • You'll find outstanding Double Plus (A++) sound on this Emus pressing of Count Basie and Tony Bennett's 1959 classic collaboration
  • The originals we have played are uniformly horrible sounding compared to these wonderful reissues - the tonality here is Right On The Money
  • 4 1/2 stars: "... the pairing between Bennett and Basie remains impressive. The band raves through tunes like "With Plenty Of Money And You," and Bennett matches them, drawing strength from the bravura arrangements, while band and singer achieve a knowing tenderness on "Growing Pains." This is an album well worth owning..."
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Super Hot Stamper

Tony Bennett
For Once In My Life

  (Item #: benneforon_1804_1904-) 

Our Price: $99.99
Sale Price: $79.00 (You save $20.99 / 21%)


  • This vintage pressing gives Tony the sound he deserves, with excellent Double Plus (A++) grades on both of these early stereo sides
  • Amazing vocal reproduction courtesy of the brilliant engineering of Frank Laico at his favorite studio (and ours), Columbia 30th Street studios
  • We are not big soundstage guys here at Better Records, but we can't deny the appeal of the space to be found on a record as good as this
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Super Hot Stamper

Tony Bennett
I Left My Heart In San Francisco

  (Item #: benneileft_1903_1) 

Our Price: $99.99

  • This copy of Tony Bennett's 1962 classic has outstanding sound, rating of Double Plus (A++) or BETTER on both sides
  • Tubey Magical like you will not believe - this killer copy is as about as huge and as real as it gets
  • Brilliant engineering by Frank Laico at his favorite recording digs (and ours), Columbia 30th Street studios
  • 5 Stars and the winner of two Grammy Awards in 1962 including Record of the Year (not bad!)
See all of our Tony Bennett albums in stock


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Super Hot Stamper

Tony Bennett
The Many Moods Of Tony

  (Item #: bennemanym_1805_1905) 

Our Price: $99.99
Sale Price: $69.00 (You save $30.99 / 31%)


  • Both sides of this vintage Black Print 360 pressing earned outstanding Double Plus (A++) grades for their superb sound - exceptionally quiet vinyl too
  • Everything that's good about All Tube Vocal Recordings from the '50s and '60s is precisely what's good about the sound of this record
  • "The moods vary from a wild Caravan, introduced with a drum solo by Chico Hamilton joined by flute and bass and seemingly held together by Tony's voice alone, to Don Costa's almost cinematic big orchestra styling of Spring in Manhattan as well as the lightly melancholy moods of When Joanna Loved Me and Don't Wait Too Long. Throughout the album, Tony's effortlessly soaring voice gives meaning to every number."
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Super Hot Stamper

Tony Bennett
The Movie Song Album

  (Item #: bennemovie_1903) 

Our Price: $99.99

  • Tony Bennett's 1966 album of movie songs arrives on the site with outstanding Double Plus (A++) sound from first note to last - exceptionally quiet vinyl too
  • The sound on this superb pressing is full-bodied and lively, with the kind of Tubey Magic Columbia still knew how to get on analog tape
  • Musical Director Johnny Mandel partnered with Neal Hefti and Quincy Jones, arranging and conducting their own compositions, including "Girl Talk," from Harlow, and "Emily," from The Americanization of Emily
  • Some of the songs that Bennett could hardly have sung any better are "Days Of Wine And Roses," "The Shadow Of Your Smile" and "The Second Time Around," the last two previously recorded by Frank Sinatra, and we leave it to you to judge who comes off better
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Bennett & Evans - The Tony Bennett / Bill Evans Album

MoFi Debunked

  (Item #: benneevans_mofi) 



Sonic Grade: F

A Hall of Shame pressing and another MoFi LP debunked.

That weird boost around 10k that Stan Ricker liked to add to practically every record he mastered wreaks havoc on the sound of Tony Bennett's voice. I would be very surprised if the current in-print CD doesn't sound more tonally natural, and for us audiophile record lovers - not lovers of audiophile records, but guys who love records with audiophile sound - that's simply another nail in the coffin for one of the most laughably inept remastering labels in the history of that sad enterprise.

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Bennett & Evans - The Tony Bennett / Bill Evans Album

Our Shootout Winner from 2011

  (Item #: benneevans_2011) 



A distinguished member of the Better Records Jazz Hall of Fame.

I would have to say that this album, when heard on the best Hot Stamper pressings, would rank up at the top of the All Time Great Male Vocal Recordings. If you like sophisticated vocal jazz I don’t think you can do much better than this record, especially when it sounds like this. Tony Bennett’s voice sounds wonderfully rich, BREATHY, and above all REAL.

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Mastering I Left My Heart In San Francisco

Tubes, Sure, But Are They Any Good?

  (Item #: benneileft_reissues) 



We played a few decent sounding reissues from the '70s that may eventually make it to the site. Again and again my notes made it clear that those pressings could have used more tubes in the mastering chain.

On this record, like so many others you may have read about on the site, the right amount of TUBEY MAGIC -- and by that we mean a very healthy amount -- makes all the difference. Now keep in mind that we are talking about 1962 tubes, not the stuff that engineers are using today to make "tube-mastered" records. Modern pressings barely hint at the Tubey Magical sound of a record like this, if our experience with hundreds of them serves as a guide.

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Our Favorite Studios (First of a Series)

Columbia 30th Street Studios

  (Item #: allcolumbia30th) 



Columbia 30th Street Studios is one of our favorite recording venues. Click on the link above to find our in-stock Hot Stamper pressings of albums recorded at that location from 1949 to 1981. The list of recordings made there stretches from West Side Story to Kind of Blue, all the way up to Pink Floyd's The Wall in 1979. (Who knew?)
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The Recordings of Tony Bennett

These Are Some that Didn't Make the Grade

  (Item #: bennett_tony) 



These are just some of the recordings by Tony Bennett that we've auditioned recently and found wanting. Without going into specifics we'll just say these albums suffer from poor performances, poor sound, or both, and therefore do not deserve a place in your collection, and may even belong in our Hall of Shame.

A Free Service provided to the Audiophile Public, courtesy of Better Records.

Tony Bennett Albums with Hot Stampers

Tony Bennett Albums We've Reviewed



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The Tony Bennett / Bill Evans Album

The Best Male Vocal Recording of the Era

  (Item #: benneevans_1975) 



This album, when heard on the best Hot Stamper pressings, ranks right up at the top of the All Time Great Male Vocal Recordings from any era. Bennett’s voice sounds wonderfully rich, BREATHY, and above all REAL.

For a Popular/Jazz Vocal album produced in 1975, or, to be honest, the entire decade of the Seventies, we can think of no other that's its sonic equal.

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Tony Bennett - Alone Together

Our Shootout Winner from 2013

  (Item #: bennealone_2013) 



A distinguished member of the Better Records Rock and Pop Hall of Fame from 1960.

TWO EXCELLENT SIDES for this Six-Eye pressing, including a near-White Hot A++ to A+++ side two! This album has Bennett singing a collection of ballads, and when you hear it with this kind of transparency and immediacy it REALLY works. He's one of our favorite singers, so it's a real treat to find a copy with this kind of sound.

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Tony Bennett - I Left My Heart In San Francisco

Our Shootout Winner from 2015

  (Item #: benneileft_2015) 



A distinguished member of the Better Records Rock Hall of Fame.

Everything that's good about All Tube Vocal Recordings from the '50s and '60s is precisely what's good about the sound of this record.

The huge studio the music was recorded in is captured faithfully here. The height, width and depth of the staging here are extraordinary. We are not big soundstage guys here at Better Records, but we can't deny the appeal of the space to be found on a record as good as this.

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