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Please note that we will be closed Saturday December 22nd through Tuesday January 1st.

If you would like to receive your order before Christmas, please make a note in your order comments and we will do our best to accommodate you. Any orders received after midday this Friday will not ship until the New Year.

Happy Holidays from the Better Records crew!

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Super Hot Stamper

Tony Bennett
I Left My Heart In San Francisco

  (Item #: benneileft_1802_1811) 

Our Price: $199.99
Sale Price: $149.00 (You save $50.99 / 25%)


  • Superb and magical like nothing you've heard - this killer copy is as about as HUGE and as REAL as it gets
  • This pressing gives Tony the sound he deserves, with side one Double to Triple Plus (A++ to A+++) and side two a solid Double Plus (A++)
  • Amazing music, plus brilliant engineering by Frank Laico at his favorite studio (and ours), Columbia 30th Street studios
  • Allmusic 5 Stars and the winner of two Grammy Awards in 1962 including Record of the Year
See all of our Tony Bennett albums in stock


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Super Hot Stamper

Tony Bennett & Count Basie
Strike Up The Band

  (Item #: bennestrik_1812) 

Our Price: $149.99

  • You'll find outstanding Double Plus (A++) sound on this Emus pressing of Count Basie and Tony Bennett's 1959 classic collaboration
  • The originals we have played are uniformly horrible sounding compared to these wonderful reissues - the tonality here is Right On The Money
  • 4 1/2 stars: "... the pairing between Bennett and Basie remains impressive. The band raves through tunes like "With Plenty Of Money And You," and Bennett matches them, drawing strength from the bravura arrangements, while band and singer achieve a knowing tenderness on "Growing Pains." This is an album well worth owning..."
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Super Hot Stamper

Tony Bennett
The Many Moods Of Tony

  (Item #: bennemanym_1805_1811) 

Our Price: $129.99

  • Both sides of this vintage Black Print 360 pressing earned outstanding Double Plus (A++) grades for their superb sound - quiet vinyl too
  • Everything that's good about All Tube Vocal Recordings from the '50s and '60s is precisely what's good about the sound of this record
  • "The moods vary from a wild Caravan, introduced with a drum solo by Chico Hamilton joined by flute and bass and seemingly held together by Tony's voice alone, to Don Costa's almost cinematic big orchestra styling of Spring in Manhattan as well as the lightly melancholy moods of When Joanna Loved Me and Don't Wait Too Long. Throughout the album, Tony's effortlessly soaring voice gives meaning to every number."
See all of our Tony Bennett albums in stock


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Super Hot Stamper

Tony Bennett
For Once In My Life

  (Item #: benneforon_1804_1812) 

Our Price: $99.99

  • This vintage pressing gives Tony the sound he deserves, with excellent Double Plus (A++) grades on both of these early stereo sides
  • Amazing vocal reproduction courtesy of the brilliant engineering of Frank Laico at his favorite studio (and ours), Columbia 30th Street studios
  • We are not big soundstage guys here at Better Records, but we can't deny the appeal of the space to be found on a record as good as this
See all of our Tony Bennett albums in stock


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Hot Stamper

Tony Bennett
I Left My Heart In San Francisco

  (Item #: benneileft_1803_1811) 

Our Price: $69.99

  • This copy of Tony Bennett's 1962 classic earned very good Hot Stamper grades on both sides
  • Amazing music, plus brilliant engineering by Frank Laico at his favorite studio (and ours), Columbia 30th Street studios
  • This copy plays on relatively quiet vinyl too, Mint Minus to Mint Minus Minus throughout
  • Allmusic 5 Stars and the winner of two Grammy Awards in 1962 including Record of the Year
See all of our Tony Bennett albums in stock


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Bennett & Evans - The Tony Bennett / Bill Evans Album

MoFi Debunked

  (Item #: benneevans_mofi) 



Sonic Grade: F

A Hall of Shame pressing and another MoFi LP debunked.

That weird boost around 10k that Stan Ricker liked to add to practically every record he mastered wreaks havoc on the sound of Tony Bennett's voice. I would be very surprised if the current in-print CD doesn't sound more tonally natural, and for us audiophile record lovers - not lovers of audiophile records, but guys who love records with audiophile sound - that's simply another nail in the coffin for one of the most laughably inept remastering labels in the history of that sad enterprise.

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Bennett & Evans - The Tony Bennett / Bill Evans Album

Our Shootout Winner from 2011

  (Item #: benneevans_2011) 



A distinguished member of the Better Records Jazz Hall of Fame.

I would have to say that this album, when heard on the best Hot Stamper pressings, would rank up at the top of the All Time Great Male Vocal Recordings. If you like sophisticated vocal jazz I don’t think you can do much better than this record, especially when it sounds like this. Tony Bennett’s voice sounds wonderfully rich, BREATHY, and above all REAL.

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Mastering I Left My Heart In San Francisco

Tubes, Sure, But Are They Any Good?

  (Item #: benneileft_reissues) 



We played a few decent sounding reissues from the '70s that may eventually make it to the site. Again and again my notes made it clear that those pressings could have used more tubes in the mastering chain.

On this record, like so many others you may have read about on the site, the right amount of TUBEY MAGIC -- and by that we mean a very healthy amount -- makes all the difference. Now keep in mind that we are talking about 1962 tubes, not the stuff that engineers are using today to make "tube-mastered" records. Modern pressings barely hint at the Tubey Magical sound of a record like this, if our experience with hundreds of them serves as a guide.

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Our Favorite Studios (First of a Series)

Columbia 30th Street Studios

  (Item #: allcolumbia30th) 



Columbia 30th Street Studios is one of our favorite recording venues. Click on the link above to find our in-stock Hot Stamper pressings of albums recorded at that location from 1949 to 1981. The list of recordings made there stretches from West Side Story to Kind of Blue, all the way up to Pink Floyd's The Wall in 1979. (Who knew?)
More Recording Venues We Love


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The Tony Bennett / Bill Evans Album

The Best Male Vocal Recording of the Era

  (Item #: benneevans_1975) 



This album, when heard on the best Hot Stamper pressings, ranks right up at the top of the All Time Great Male Vocal Recordings from any era. Bennett’s voice sounds wonderfully rich, BREATHY, and above all REAL.

For a Popular/Jazz Vocal album produced in 1975, or, to be honest, the entire decade of the Seventies, we can think of no other that's its sonic equal.

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Tony Bennett - Alone Together

Our Shootout Winner from 2013

  (Item #: bennealone_2013) 



A distinguished member of the Better Records Rock and Pop Hall of Fame from 1960.

TWO EXCELLENT SIDES for this Six-Eye pressing, including a near-White Hot A++ to A+++ side two! This album has Bennett singing a collection of ballads, and when you hear it with this kind of transparency and immediacy it REALLY works. He's one of our favorite singers, so it's a real treat to find a copy with this kind of sound.

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Tony Bennett - I Left My Heart In San Francisco

Our Shootout Winner from 2015

  (Item #: benneileft_2015) 



A distinguished member of the Better Records Rock Hall of Fame.

Everything that's good about All Tube Vocal Recordings from the '50s and '60s is precisely what's good about the sound of this record.

The huge studio the music was recorded in is captured faithfully here. The height, width and depth of the staging here are extraordinary. We are not big soundstage guys here at Better Records, but we can't deny the appeal of the space to be found on a record as good as this.

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