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Judy Collins - Judy Collins #3

Our Shootout Winner from 2007

  (Item #: collijudyc_3_2007) 



A distinguished member of the Better Records Rock and Pop Hall of Fame.

This is a Minty Elektra Red Label LP with two AMAZING sounding sides! Typical copies are dull and thin sounding, making Judy Blue Eyes’ beautiful voice sound honky and weak like she has a head cold. This copy is the remedy!

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Judy Collins - Who Knows Where The Time Goes

The Gold Labels Are the Best, Right?

  (Item #: colliwhokn_original) 



Nope. It’s just another one of them pesky Record Myths.

As often happens in these shootouts, the copy that's supposed to be the most Tubey Magical and "Real" -- most audiophiles would nominate the Gold Label original as their first choice on both counts -- turns out, counterintuitively, to be somewhat flat, lean and "modern" sounding. We were as surprised as anyone (even though we shouldn't be by now). We're fans of early label Elektra pressings as a rule; on this title they usually left us wanting more.

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Judy Collins - Wildflowers

Hits That Are Made from Dub Tapes

  (Item #: colliwildf_dubby_hits) 



Another in our ongoing series of Random Thoughts on issues concerning music and recordings.

Both Sides Now, the Top Ten hit that finally put Judy on the map, is clearly made from a dub tape and doesn't sound as good as the songs that follow it on side two. Hey, it happens. Maybe it sounds right on the Greatest Hits? You could try one. We have trouble selling greatest hits albums so you'll have to do your own digging on that one.

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Judy Collins - Wildflowers

Our Shootout Winner from 2013

  (Item #: colliwildf_2013) 



A distinguished member of the Better Records Rock and Pop Hall of Fame.

This White Hot Stamper side one was clearly the best we heard in our most recent shootout -- the sound is rich and full, yet Judy's voice comes across as especially clear and breathy. Yes, vintage analog pressings can do it all, with a naturalness that no modern LP or CD can begin to equal, making this side one the obvious choice for those who want to hear just how good Wildflowers gets.

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Judy Collins - Wildflowers

1967 Elektra Tape Vs Vinyl - Where's the Tubey Magic?

  (Item #: colliwildf_wtlf) 



We were surprised that so few copies had the Tubey Magical qualities that we've come to expect from Elektra in 1967. The label was home to two very well-recorded (by none other than Bruce Botnick) bands at the time, The Doors and Love. What happened here? John Haeny, the engineer, worked on Waiting for the Sun, which is an amazing sounding Doors album on the right pressing. Why so few great sounding Wildflowers?
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