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White Hot Stamper

Crosby, Stills, Nash & Young
Deja Vu

  (Item #: crosbdejav_1909_11ex) 

Our Price: $549.99

  • A stunning Shootout Winning copy that is guaranteed to blow your mind - each side earned Triple Plus (A+++) grades
  • The sound is HUGE -- lively, present and rich in a way that nothing you've heard can compete with
  • One of our all time favorite albums at Better Records and one that almost never sounds THIS good
  • 5 stars: "...this variety made Déjà Vu a rich musical banquet for the most serious and personal listeners, while mass audiences reveled in the glorious harmonies and the thundering electric guitars..."
More Crosby, Stills, Nash or Young


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White Hot Stamper

Crosby, Stills, Nash & Young
So Far

  (Item #: crosbsofar_1906_8_10) 

Our Price: $399.99

  • This stunning copy offers insanely good Shootout Winning Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second - fairly quiet vinyl too
  • Huge, rich and energetic, this pressing brings the gorgeous harmonies of Crosby, Stills, Nash and Young to life like nothing you have ever heard
  • The two exclusive tracks, Ohio and Find the Cost of Freedom, are amazingly well recorded - both have Demo Disc sound here
  • If you've made the mistake of buying any Heavy Vinyl pressing containing any of these songs, this record will show you just exactly what you've been missing
More So Far / More CSN&Y


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Nearly White Hot Stamper

Crosby, Stills, Nash & Young
Deja Vu

  (Item #: crosbdejav_1910) 

Our Price: $349.99

  • A stunning copy with Double to Triple Plus (A++ to A+++) sound from start to finish, just shy of our Shootout Winner
  • This killer stereo pressing is wonderfully Tubey Magical, full-bodied and solid, with note-like, clear bass
  • One of our all time favorite albums at Better Records and one that almost never sounds THIS good
  • 5 stars: "... variety made Déjà Vu a rich musical banquet for the most serious and personal listeners, while mass audiences reveled in the glorious harmonies and the thundering electric guitars..."
More Deja Vu


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White Hot Stamper

Crosby, Stills, Nash & Young
4 Way Street

  (Item #: crosb4ways_1910_1) 

Our Price: $349.99

  • A real monster copy of CSN&Y's classic live double album with Shootout Winning Triple Plus (A+++) grades on ALL FOUR SIDES!
  • This live album gives you the "naked" sound of the real thing - the real voices and the real guitars and the real everything else, in a way that would never happen again
  • Their brilliant engineer, Bill Halverson, worked his magic here, but only the best pressings let his genius shine the way this one does
  • Rolling Stone raves that "Crosby, Stills. Nash, and Young are all performers of unquestionable talent, and mostly because they stay out of each others' way, 4 Way Street must surely be their best album to date."
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White Hot Stamper

Crosby, Stills and Nash
Daylight Again

  (Item #: crosbdayli_1910) 

Our Price: $299.99

  • This outstanding copy of Daylight Again earned Shootout Winning Triple Plus (A+++) grades on both sides - exceptionally quiet vinyl too
  • This is the embodiment of the Classic CSN sound we love - rich, full-bodied, warm, punchy, dynamic and clear
  • Steven Barncard, one of our favorite recording engineers, no doubt deserves most of the credit
  • Allmusic on Wasted on the Way and Southern Cross: "Both were extracted as singles and became among the best-known tracks not only on Daylight Again, but also in the post-'60s CSN canon."
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Super Hot Stamper (quiet vinyl)

Crosby, Stills, Nash & Young
Deja Vu

  (Item #: crosbdejav_1909_1) 

Our Price: $249.99

  • A superb Big and Bold copy that earned seriously good sonic grades of Double Plus (A++) on both sides - fairly quiet vinyl too
  • The sound is HUGE -- lively, present and rich in a way that nothing you've heard can compete with
  • One of our all-time favorite albums at Better Records and one that almost never sounds THIS good
  • 5 stars: "...this variety made Déjà Vu a rich musical banquet for the most serious and personal listeners, while mass audiences reveled in the glorious harmonies and the thundering electric guitars..."
More Crosby, Stills, Nash or Young


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Super Hot Stamper

Crosby, Stills, Nash & Young
So Far

  (Item #: crosbsofar_1904_9) 

Our Price: $199.99
Sale Price: $169.00 (You save $30.99 / 15%)


  • You'll find solid Double Plus (A++) sound on both sides of this outstanding copy of So Far - exceptionally quiet vinyl too
  • The sound on this superb pressing is full-bodied and lively, with solid and present vocals, as well as vocal dynamics that are hard to find on most rock records
  • The two exclusive tracks, Ohio and Find the Cost of Freedom, are amazingly well recorded - both sound fantastic here
  • If you've made the mistake of buying any Heavy Vinyl pressing containing any of these songs, this record will show you just exactly what you've been missing
More So Far / More CSN&Y


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Super Hot Stamper (quiet vinyl)

Graham Nash
Songs For Beginners

  (Item #: nash_songs_1908) 

Our Price: $149.99

  • With two seriously good Double Plus (A++) sides, this copy is guaranteed to blow the doors off any other Traffic Hits you've heard - exceptionally quiet vinyl too
  • We love the All Analog Tubey Magical sound of the recording, especially on a copy as rich and full-bodied as this one
  • Arguably the best of the solo CSN albums - a founding member of our Top 100 Rock and Pop List and, with grades like these, a True Demo Disc
  • 4 1/2 stars: "From the soaring "I Used to Be a King" through the gossamer "Simple Man" to the wah-wah-laden "Military Madness," the record is filled with gorgeous melodies, flawless singing, and lyrical complexities that hold up decades later."
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Super Hot Stamper (Quiet)

Crosby, Stills, Nash & Young
4 Way Street

  (Item #: crosb4ways_1907_11) 

Our Price: $149.99

  • Consistently outstanding sound for CSN&Y's classic live double album, with all four sides boasting solid Double Plus (A++) grades or BETTER and mostly quiet vinyl
  • The "naked" sound of the real thing - the real voices and the real guitars and the real everything else, in a way that would never happen again
  • Bill Halverson worked his magic, but only the best pressings let his genius shine the way it does here
  • Rolling Stone raves that "Crosby, Stills. Nash, and Young are all performers of unquestionable talent, and mostly because they stay out of each others' way, 4 Way Street must surely be their best album to date."
More 4 Way Street / More CSN&Y


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Super Hot Stamper

Crosby, Stills and Nash
CSN

  (Item #: crosbcsn_1910) 

Our Price: $99.99

  • This superb sounding copy of CSN earned outstanding Double Plus (A++) grades for sound on both sides
  • The sound is big and rich, yet still wonderfully clean, clear and open with fantastic energy - you will not believe all the space and ambience here
  • Includes CSN classics Just A Song Before I Go and Fair Game
  • 4 stars: "It has held up remarkably well, both as a memento of its time, and as a thoroughly enjoyable musical work."
More Crosby, Stills, Nash and Young


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Super Hot Stamper

Crosby, Stills and Nash
Daylight Again

  (Item #: crosbdayli_1905_9) 

Our Price: $99.99

  • This outstanding copy of Daylight Again (the last good record these guys would ever make) earned solid Double Plus (A++) sonic grades - relatively quiet vinyl too
  • This is the embodiment of the Classic CSN sound we love - rich, full-bodied, warm, punchy, dynamic and clear
  • Steven Barncard, one of our favorite recording engineers, no doubt deserves most of the credit
  • Allmusic on Wasted on the Way and Southern Cross: "Both were extracted as singles and became among the best-known tracks not only on Daylight Again, but also in the post-'60s CSN canon."
See all of our Crosby, Stills and Nash albums in stock


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Super Hot Stamper

Crosby, Stills, Nash & Young
4 Way Street

  (Item #: crosb4ways_1910) 

Our Price: $99.99

  • Consistently outstanding sound for CSN&Y's classic live double album, with all four sides boasting solid Double Plus (A++) grades or BETTER
  • This live album gives you the "naked" sound of the real thing - the real voices and the real guitars and the real everything else, in a way that would never happen again
  • Their brilliant engineer, Bill Halverson, worked his magic here, but only the best pressings let his genius shine the way this one does
  • Rolling Stone raves that "Crosby, Stills. Nash, and Young are all performers of unquestionable talent, and mostly because they stay out of each others' way, 4 Way Street must surely be their best album to date."
More Crosby, Stills, Nash or Young


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Super Hot Stamper

Graham Nash
Songs For Beginners

  (Item #: nash_songs_1908_1) 

Our Price: $99.99

  • With two seriously good Double Plus (A++) sides, this copy is guaranteed to blow the doors off any other Traffic Hits you've heard
  • We love the All Analog Tubey Magical sound of the recording, especially on a copy as rich and full-bodied as this one
  • Arguably the best of the solo CSN albums - a founding member of our Top 100 Rock and Pop List and, with grades like these, a True Demo Disc
  • 4 1/2 stars: "From the soaring "I Used to Be a King" through the gossamer "Simple Man" to the wah-wah-laden "Military Madness," the record is filled with gorgeous melodies, flawless singing, and lyrical complexities that hold up decades later."
More Graham Nash


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Super Hot Stamper

Crosby / Nash
Whistling Down The Wire

  (Item #: crosbwhist_1902) 

Our Price: $69.99

  • An outstanding original pressing, Double Plus (A++) on both sides, with especially clear, breathy vocals - exceptionally quiet vinyl too
  • The pair's third and best album, with notably better sound than Wind on the Water as well as some of their strongest songwriting
  • Finding good sound on an album with two or more members of Crosby, Stills, Nash and Young, in any configuration, has never been easy
  • "The music has an urgent, almost raw feel, and it comes as no surprise to discover that most of the tracks were recorded "live" in the studio with very little overdubbing."
More David Crosby / More Graham Nash


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Crosby, Still and Nash - Replay

Listening in Depth

  (Item #: crosbrepla_vta) 



This is another very handy record for setting your Vertical Tracking Angle. The end of Shadow Captain has loud vocals and punchy bass, which are a bit difficult to reproduce. (Forget trying to get this song to sound good if you don’t have an exceptionally good copy.)

The next song is To The Last Whale, which starts with Nash and Crosby's multitracked voices in a big hall. With the correct VTA, their voices should sound silky and sweet. If your arm is too far down in the back, they will get a bit dull. Too high, and they will lose that breathy, "fluffy" quality. And once you get their voices to sound just right, make sure the ending of Shadow Captain is still punchy and dynamic.

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30 Years of Bad Sounding Deja Vu's

Wiped Away in an Instant!

  (Item #: crosbdejav_30years) 



A testimonial from a customer for his Hot Stamper Deja Vu discusses what it takes to get good sound from your stereo. (Hint: it's a good sounding record, duh.)

I have come to a conclusion - no matter whether I had the best $50,000 amps in the world or a $29,000 phono supply or the $150,000 Wilson Alexandria speakers or all that other incredible stuff that audiophiles lust for - not one of those items can make a shit record sound anything but like a shit record. There is no overcoming the original source material that you play on your stereo system.

More on Crosby, Stills, Nash and Young's 1970 Masterpiece, Deja Vu


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Crosby / Nash - Graham Nash/ David Crosby

Listening in Depth

  (Item #: crosbgraha_2015) 



Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

This album has some of the BEST SOUND Crosby and Nash ever recorded, but you'd never know that listening to the average pressing. You need plenty of deliciously rich Tubey Magic if this music is going to work, and on that count this copy certainly delivers.

David Crosby / Graham Nash


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Crosby / Nash - Whistling Down The Wire

Our Shootout Winner from 2012

  (Item #: crosbwhist_2012) 



A distinguished member of the Better Records Rock and Pop Hall of Fame.

TWO AMAZING SIDES RATING AT OR NEAR A+++! This is the pair's third and best album, with better sound than Wind on the Water as well as their strongest songwriting. This is arguably a better CSN record than the album titled CSN from 1977. For one thing, the harmonies are superior, even without Stephen Stills. (Crosby and Nash were in big demand in the Rock and Pop world of the '70s for their impressive background vocal skills.) For another it's clearly a better recording.

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Crosby Stills & Nash - Crosby Stills & Nash

Classic Records Reviewed

  (Item #: crosbcrosb_debunk_) 



Sonic Grade: B-

Nice enough I suppose, but where’s the Midrange Magic?

The Classic 180g version was a revelation when it came out years ago. Bernie actually cut it pretty darn right. However, his mastering chain cannot compete with the one used on the best original pressings.

The evidence for this is overwhelming. There simply is no Bernie-Grundman-cut record that is the equal of the best pressings not cut on his current chain that I have heard over the years. (His old cutting system, the one that cut Stardust and Blue and much of the Contemporary catalog, was KILLER. Wonder what happened to it?)

See more of Crosby, Stills, Nash and Young's albums


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Crosby Stills & Nash - Crosby Stills & Nash

Listening in Depth

  (Item #: crosbcrosb_depth) 



Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of Crosby, Stills & Nash's first album.

Although millions of copies of this album were sold, so few were mastered and pressed well, and so many mastered and pressed poorly, that few copies actually make it to the site as Hot Stampers. We wish that were not the case -- we love the album -- but the copies we know to have the potential for Hot Stamper sound are just not sitting around in the record bins these days.

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Crosby Stills & Nash - Suite: Judy Blue Eyes

Critical Listening Exercise (WTLF)

  (Item #: crosbcrosb_test) 



This commentary from an older Hot Stamper listing for CSN’s debut makes note of some specific qualities in the recording that are a good test for midrange transparency and naturalness.

What’s magical about Crosby, Stills, Nash (& Young)?

Their voices of course. It’s not a trick question. They revolutionized rock music with their genius for harmony. Any good pressing must sound correct on their voices or it has no value whatsoever. A CSN record with bad midrange -- like most of them -- is a worthless record.

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Crosby, Stills & Nash on Nautilus

THE Most Bloated Bass in Half Speed History

  (Item #: crosbcrosb_nr_debunk) 



Sonic Grade: F

A Hall of Shame pressing and another Half Speed debunked.

An audiophile record dealer (of course; who else?) once raved to me about Crosby Stills and Nash on Nautilus. I said "What are you talking about? That version sucks!" He replied "No, it’s great. Helplessly Hoping sounds amazing."

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Crosby, Stills and Nash - CSN

Our Shootout Winner from 2013

  (Item #: crosbcsn_2013) 



A distinguished member of the Better Records Rock Hall of Fame.

This original LP is clearly the best sounding side one of this album we have ever played. Most copies of CSN are unbelievably flat, harsh, thin and opaque.

Which means simply that our approach is the only one that offers any hope of success. With a large enough batch of copies, cleaned using the best fluids, on the best machines, it is possible to find a side one this good. Without a pretty big batch of well-cleaned pressings your chance of success is hardly worth calculating. Even with the best intentions, frustration is likely to set in long before a Hot Stamper as good as this one has much chance of being found.

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Crosby, Stills and Nash - CSN

You Do the Best You Can with What You've Got to Work With

  (Item #: crosbcsn_wtlf) 



Another in our series of Home Audio Exercises with advice on what you should be listening for when critically evaluating your copy (or ours) of the album.

CSN chose the Albert brothers to engineer this album. Their most famous album is Layla. Ever heard a great sounding Layla? Me neither. Can you hear the sound of Layla in your head? That's more or less what this album sounds like. There are better and worse Layla's -- we've done the shootout many times -- just as there are better and worse CSNs.

The problem with the sound cannot be "fixed" in the mastering, and here's how we know: on either side some songs have the breath of life and some don't. That's a recording problem. .

More CSN


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Crosby, Stills, Nash & Young - 4 Way Street

Our Shootout Winner from 2012

  (Item #: crosb4ways_2012) 



A distinguished member of the Better Records Rock and Pop Hall of Fame.

If you want to hear Crosby, Stills, Nash and Young rock out live in your listening room, this copy will let you do it. It's not easy to find good sound on even one side of this album, let alone all four!

More 4 Way Street / More CSN&Y


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Crosby, Stills, Nash & Young - 4 Way Street

What to Listen For

  (Item #: crosb4ways_wtlf) 



Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

If the singers get hard and shrill in the louder passages, then what you have is a pretty typical pressing. Add grit and grain, smeared transients, opacity, surface noise and a lack of weight down low and you'll know why it takes us years to find enough copies to shoot out -- because this is what most pressings sound like.

More 4 Way Street / More CSN&Y


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Crosby, Stills, Nash & Young - Deja Vu

An Album We Are Clearly Obsessed With

  (Item #: crosbdejav_obsess) 



DEJA VU is an album we admit to being obsessed with -- just look at the number of commentaries we've written about it.

For their second album, Crosby, Stills and Nash added Neil Young to their roster and proceeded to record what we consider to be one of the Ten Best Sounding Rock Records of all time.

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Crosby, Stills, Nash & Young - Deja Vu

Latest Developments

  (Item #: crosbdejav_wrong_2016) 



There are two areas in which we would like to amend some of the previous comments we've made about Deja Vu. The first has to do with early pressings. Many years ago we wrote the following:

As we noted in previous commentary, the originals are uniformly awful. Want some inside info on stampers to avoid, free of charge? C and D are pretty bad news most of the time.

Although that's still true -- Deja Vu is a very difficult album to find with good sound no matter what stampers you have -- we now know that there are very good sounding copies, Shootout Winning copies in fact, with early stampers.

More on Crosby, Stills, Nash and Young's 1970 Masterpiece, Deja Vu


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Crosby, Stills, Nash & Young - Deja Vu

A Review of the Classic Records Pressing

  (Item #: crosbdejav_classic_records) 



Sonic Grade: F

A Hall of Shame pressing and another Classic Records LP badly mastered for the benefit of credulous audiophiles.

If you bought the Classic Record Heavy Vinyl pressing, you should know by now how badly Classic Records ripped you off.

More on Crosby, Stills, Nash and Young's 1970 Masterpiece, Deja Vu


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Crosby, Stills, Nash & Young - Deja Vu

A Tale of Two MoFi Pressings

  (Item #: crosbdejav_mofi_debunk) 



Sonic Grade: F (or not!)

A Hall of Shame pressing and another MoFi LP debunked.

Just for fun about 10 years ago I pulled out a MoFi pressing of Deja Vu I had laying around. I hadn't played their version in a long time. I could have gone a lot longer without playing it, because what I heard was pretty disappointing. Playing their record confirmed all my prejudices. The highs sizzled and spit. The heart of the midrange was recessed and sour.

More on Crosby, Stills, Nash and Young's 1970 Masterpiece, Deja Vu


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Crosby, Stills, Nash & Young - Deja Vu

Our Four Plus Side Two from 2016

  (Item #: crosbdejav_2016) 



A distinguished member of the Better Records Rock Hall of Fame

We award this copy's side two our very special Four Plus A++++ grade, which is strictly limited to pressings (really, individual sides of pressings) that take a recording to a level never experienced by us before, a level we had no idea could even exist. We estimate that less than one per cent of the Hot Stamper pressings we come across in our shootouts earn this grade. You can't get much more rare than that.

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Crosby, Stills, Nash & Young - Deja Vu

Our Shootout Winner from 2007

  (Item #: crosbdejav_2007) 



A distinguished member of the Better Records Rock Hall of Fame and another in the long list of recordings that really comes alive when you Turn Up Your Volume.

MASTER TAPE SOUND ON BOTH SIDES -- Folks, it just doesn’t get any better than this. To say this copy murders the competition is the understatement of the year. There is only ONE stamper that gives you the Deja Vu magic from top to bottom and this is it. [We know now that that isn't true.]

More on Crosby, Stills, Nash and Young's Masterpiece, Deja Vu


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Crosby, Stills, Nash & Young - So Far

Listening in Depth

  (Item #: crosbsofar_depth) 



Presenting another entry in our extensive Listening in Depth series with advice on what to listen for as you critically evaluate your copy of So Far.

For example, on Find the Cost of Freedom the best copies have DEMO DISC QUALITY SOUND. You could say everything that needs to be said about the beauty of analog with this one track alone. It's not even two minutes long, but it's two really wonderful minutes of Crosby, Stills, Nash & Young at the height of their powers. The voices should sound as sweet and as silky as any CSN three part (four part?) harmony you have ever heard. This song rivals Helplessly Hoping for vocal blend.

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Crosby, Stills, Nash & Young - So Far

Our Shootout Winner from 2012

  (Item #: crosbsofar_2012) 



A distinguished member of the Better Records Rock Hall of Fame.

We've put together two Shootout Winning White Hot Stamper sides to give you the ultimate So Far. It took two separate records to do it, however, as most copies of the album do not rise above the level of mediocre, and mediocre is not what we sell here at Better Records.

The killer sides here sound like they are made from the MASTER TAPE. They trounced any and all comers during the shootout. No other copies earned Three Pluses, only these two.

More So Far / More CSN&Y


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Crosby, Stills, Nash and Young

Music Does the Driving

  (Item #: crosbstillsandnash_overview) 



Of course it's easy to argue that finding good sound on an album with two or more members of Crosby, Stills, Nash and Young, in any configuration, has never been easy. It's the rare copy of either of the first two albums that's even listenable, and the CSN album from 1977 doesn't sound nearly as good as any of the first three Crosby/Nash albums. Which simply means that the "good" sound of our Hot Stamper copies is far better than what most audiophiles own of any of these guys in combination.
See all of our Crosby, Stills, Nash or Young albums in stock


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Detail on Crosby Stills and Nash’s First Album

Holy Grail or Audio Trap?

  (Item #: crosbcrosb_detail) 



Detail may be the Holy Grail to most audiophiles, but detail can be a trap we all too easily fall into if we are not careful. Tonal balance is the key. Without it no judgments about detail have any real value.

One example: As good as the Classic Heavy Vinyl pressing is, the guitar at the opening of Helplessly Hoping tells you everything you need to know about what’s missing. The guitar on the Hot Stamper domestic copies has a transparency that cannot be found on Classic’s version. The Classic gets the tonal balance right, but their guitar doesn’t have the subtlety and harmonic resolution of the real thing.

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Graham Nash - Better Days

A Good Reason to Get into Audio

  (Item #: nash_songs_wtlf) 



This is one of the records that convinced me that I should enthusiastically and actively pursue high quality home audio - that I should devote the time, energy and money into improving my system so that I could play records like Songs for Beginners louder and get them to sound clearer.

I had such inexpressibly deep feelings while listening to the album that I knew I had to do everything in my power to make it sound as good as possible. And the song that really did it for me on the album was Better Days.

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Graham Nash - Songs for Beginners

Classic Records Debunked

  (Item #: nash_songs_debunk) 



Sonic Grade: D

Another Classic Records LP debunked.

I've listened to Nash's first solo outing countless times over the last thirty years, even more than Crosby, Stills and Nash's first album. As I was listening to the Classic pressing I recall thinking "Wow, I don't remember that sound being there; this version is so much better I can hear things I never heard before!" Well, owners of this album (all five of you) will certainly hear things you never heard before, because some of the tracks on this album have been remixed and some of the instruments re-recorded! How about them apples!

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Graham Nash - Songs for Beginners

Greatest "Copy" Ever

  (Item #: nash_songs_2015) 



A distinguished member of the Better Records Rock Hall of Fame.

WHOA! We've paired up two FOUR PLUS sides to create this stunning 2-pack with mindblowing Demo Quality sound for the whole album. These A++++ sides will show you just how amazing it can sound: super full-bodied, rich, warm and natural.

Please note that we award this very special grade so rarely that we don't even have a graphic to represent it in our sonic grade box. The scale usually only goes to three pluses, but these two sides went up to four!

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Graham Nash - Songs for Beginners

Listening in Depth

  (Item #: nash_songs_depth) 



Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you go about critically evaluating your copies of Songs for Beginners.

This is one helluva well recorded album. Most of the credit must go to the team of recording engineers, led here by the esteemed Bill Halverson, the man behind all of the Crosby Stills Nash and Young albums. Nash was clearly influenced by his work with his gifted bandmates, proving with this album that he can hold his own with the best of the best.

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Graham Nash's Wild Tales

Our Shootout Winner from 2015

  (Item #: nash_wildt_2015) 



A distinguished member of the Better Records Rock and Pop Hall of Fame and a Forgotten Classic from 1974.

Like the man's first album, no one pays much attention to this music nowadays, but Better Records is trying to remedy that situation by making available to the audiophile public numerous copies of this album, every one of which is guaranteed to turn you into a fan. This is not new music, but it may be new music to you, so "discovering" it will be every bit as much fun for you in 2016 as it was for me in 1973.

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Graham Nash's Wild Tales

and Their Mysteries Many and Deep

  (Item #: nash_wildt_wtlf) 



What hurts so many pressings of this album is a lifeless, compressed quality and a frustrating lack of presence.

Were the stampers a bit worn for those copies? Or was it bad vinyl that couldn't hold the energy of the stamper? Or perhaps some stampers just weren't cut right? These are mysteries, and they are mysteries that will always be mysteries, if for no other reason than that the number of production variables hopelessly intertwined at the moment of creation can never be teased apart no matter how hard one thinks about them.

As we like to say at every turn, thinking is really not much help with regard to finding better sounding records.

More from our Thinking About Hot Stampers series


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How to Find a Hot Stamper Deja Vu

Hint: Ignore Conventional Wisdom

  (Item #: crosbdejav_conventionalwisdom) 



A testimonial from a customer for his Hot Stamper Deja Vu provides a forum for the discussion of just what are the higher fidelity pressings.

Never make the mistake of confusing Better Sounding pressing with More Original pressing; they have nothing -- and I mean nothing -- to do with each other. It’s just another Record Collecting Canard. The audio world is full of them.

More on Crosby, Stills, Nash and Young's 1970 Masterpiece, Deja Vu


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The Brilliant Recorded Legacy of

David Crosby, Stephen Stills, Graham Nash and Neil Young

  (Item #: allcsny) 



Recordings featuring the work of David Crosby
Recordings featuring the work of Stephen Stills
Recordings featuring the work of Graham Nash
Recordings featuring the work of Neil Young

Some of our favorite engineers worked on the albums of these four men, principally Bill Halverson, as well as...


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The Turn Up Your Volume Test

Almost Cut My Hair

  (Item #: crosbdejav_volume_2014) 



Another in our series of Home Audio Exercises.

The only time Crosby, Stills, Nash & Young actually sound like a real rock and roll band is on the track Almost Cut My Hair. According to Stephen Barncard, one of the engineers on Deja Vu, the track was actually recorded live in the studio. Boy, it sure sounds like it. The amount of energy the band generates on this one song exceeds the energy of the entire first album put together.

More on Crosby, Stills, Nash and Young's 1970 Masterpiece, Deja Vu


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VTA Adjustment

Helplessly Hoping to Get It Right

  (Item #: crosbsofar_wtlf) 



This listing from 2005 (!) contains commentary about Vertical Tracking Angle (VTA) adjustment using the track Helplessly Hoping from a Hot Stamper pressing of CSN’s So Far.
More So Far / More CSN&Y


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VTA Adjustment on Crosby Stills and Nash

Using the Classic Records Heavy Vinyl LP (2005)

  (Item #: crosbcrosb_vta_200) 



This listing contains commentary about VTA adjustment for 200 gram vinyl, using the CSN track Helplessly Hoping.

Helplessly Hoping is a wonderful song with plenty of energy in the midrange and upper midrange area which is difficult to get right. Just today (4/25/05) I was playing around with VTA, having recently installed a new Dynavector DV-20x on my playgrading table (a real sweetheart, by the way), and this song showed me EXACTLY how to get the VTA right.

More Crosby, Stills, Nash and Young


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