• Stunning Triple Plus (A+++) sound or close to it on both sides of this wonderful copy of Aretha's underrated Soul Album from '69
• Balanced, musical and full throughout - this pressing is a big step up from practically every other copy we played
• Forget whatever dead-as-a-doornail Heavy Vinyl record they're making these days - if you want to hear the Tubey Magic, size and energy of this wonderful record, a vintage pressing like this one is the only way to go
• 4 1/2 stars: "One of her most overlooked '60s albums, on which she presented some of her jazziest material. Her vocals are consistently passionate and first-rate, as is the musicianship; players include the Muscle Shoals Rhythm Section, and respected jazzmen Kenny Burrell, Ron Carter, et al."

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• A superb pressing of this classic live Aretha album with nearly Triple Plus (A+ to A+++) sound throughout - just shy of our Shootout Winner - fairly quiet vinyl too
• Aretha's cover of Bridge Over Troubled Water is truly amazing, but really, there's not a weak track here - her covers of current material take those songs to another level entirely
• 4 1/2 stars: "The music here sparkles and crackles with the energy of a top-flight rhythm section — Cornell Dupree on guitar, Bernard Purdie on drums, and Jerry Jemmott on bass, with Billy Preston on organ, Curtis on saxophone, and the Memphis Horns... the most dramatic and deeply satisfying of Aretha Franklin's live recordings, and is a historical document that every soul fan should own..."

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• This superb copy of Aretha's 1968 release boasts solid Double Plus (A++) sound or BETTER throughout - reasonably quiet vinyl too
• Surprisingly rich, full-bodied and Tubey Magical, with plenty of natural ambience - Aretha's vocals are present, breathy, and explosively dynamic
• You'd need either a lot of copies, a lot of luck, or both, to come up with a pressing that sounds this good and plays this quietly
• 5 stars: ...an inspired blend of covers and originals from the best songwriters in soul and pop music..."

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• An outstanding pressing of this classic live Aretha album with solid Double Plus (A++) sound throughout - exceptionally quiet vinyl too
• Aretha's cover of Bridge Over Troubled Water is truly amazing, but really, there's not a weak track here - her covers of current material take those songs to another level entirely
• 4 1/2 stars: "The music here sparkles and crackles with the energy of a top-flight rhythm section — Cornell Dupree on guitar, Bernard Purdie on drums, and Jerry Jemmott on bass, with Billy Preston on organ, Curtis on saxophone, and the Memphis Horns... the most dramatic and deeply satisfying of Aretha Franklin's live recordings, and is a historical document that every soul fan should own..."

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• A STUNNING copy of Aretha's 1973 release, with Shootout Winning Triple Plus (A+++) sound or close to it from start to finish
• Rich, smooth, sweet, full of ambience, dead on correct tonality, and wonderfully breathy vocals - everything that we listen for in a great record is here
• An album of deep introspective soul produced by none other than Quincy Jones!
• "... notable are a poignant cover of Bernstein's 'Somewhere,' and a sparkling 'Moody's Mood,' and the beautiful Carolyn Franklin composition 'Angel.'"

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• Aretha's wonderful 1969 release finally makes its Hot Stamper debut with outstanding Double Plus (A++) sound or BETTER from start to finish
• This 360 Stereo pressing offers lively and tonally correct sound, with Franklin's soulful vocals well reproduced and especially Tubey Magical, as would be expected from a Columbia recording from 1964
• Clean pressings of this title are hard to come by - this one is about as quiet as any we played in our shootout
• Mark Bego, in Aretha Franklin: The Queen of Soul, called it "the most consistently paced album of her later Columbia years."

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• An excellent sounding copy with solid Double Plus (A++) sound from the first note to the last
• Forget whatever dead-as-a-doornail Heavy Vinyl record they're making these days - if you want to hear the Tubey Magic, size and energy of this wonderful album, a vintage pressing like this one is the way to go
• Aretha's records for Columbia feature a more pop-oriented sound than her later works. This is a great record for those interested in checking out the early roots of one of the greatest singers of all time!
• "She gives new songs like 'I Wonder' (for which Aretha wrote the words), 'If Ever I Would Leave You' and 'I Wanna Be Around' distinctive, unforgettable interpretations, the kind that set standards for time and singers to come." - All Music

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• Superb Double Plus (A++) sound with fairly quiet vinyl bring Aretha's underrated Soul Album from '69 to life on this early Atlantic pressing
• Forget whatever dead-as-a-doornail Heavy Vinyl record they're making these days - if you want to hear the Tubey Magic, size and energy of this wonderful record, a vintage pressing like this one is the only way to go
• Tough to find quiet - Aretha made a lot of amazingly good records in the '60s and they got played good and hard
• "One of her most overlooked '60s albums, on which she presented some of her jazziest material. Her vocals are consistently passionate and first-rate, as is the musicianship; players include the Muscle Shoals Rhythm Section, and respected jazzmen Kenny Burrell, Ron Carter, et al."

More Aretha

• Superb Double Plus (A++) sound brings Aretha's underrated Soul Album from '69 to life on this early Atlantic pressing - exceptionally quiet vinyl too
• If you want to hear the Tubey Magic, size and energy of this wonderful record, a vintage pressing like this one is the only way to go
• Tough to find this quiet - Aretha made a lot of amazingly good records in the '60s and they got played good and hard
• "One of her most overlooked '60s albums, on which she presented some of her jazziest material. Her vocals are consistently passionate and first-rate, as is the musicianship; players include the Muscle Shoals Rhythm Section, and respected jazzmen Kenny Burrell, Ron Carter, et al."

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On the better copies Aretha's vocals are as dynamic as any you will ever hear, and unlike all the records she did with Tom Dowd, her voice never breaks up on this record. If you have big speakers that can play at loud levels, with the right volume level you can really get Aretha to belt it out like nothing you have ever heard.

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