[ LOGIN/REGISTER ]   [ MY ACCOUNT ] Items in the shopping cart: 0    Current total: $0.00
Left space
<br>The Beatles - Please Please Me<p>What to Listen For</p>

The Beatles - Please Please Me

What to Listen For

Another in our series of Home Audio Exercises with specific advice on What to Listen For (WTLF) on PPM.

The Beatles' first album is a recording overflowing with sonic qualities prized by audiophiles and music lovers alike: Tubey Magic, energy, immediacy, richness, breathy vocals; in short, all the stuff you will never hear -- or not hear to the same extent -- on anything but the best vintage analog vinyl LPs.

More Please Please Me

Sku # : beatlpleas_wtlf_2014
Manufacturer : Apple Records LP

We also suggest

Click to Detail

The Beatles - Please Please Me

Which Is More 3-Dimensional
Mono or Twin Track?

Click to Detail

The Beatles on Vinyl

Is Your Stereo System
Up to the Challenge?

Click to Detail

Site Overview

Rock & Pop Top 100

Our Rock and Pop Top 100 List

Product Detail

Please keep in mind that vintage as used here does not mean original; the reissues, well into the '70s, can sound amazingly good and often win our shootouts.

There's a subtle smearing and masking that occurs on most pressings. You don't notice it often because you have no better pressing to compare yours to. But when you have many copies of the same pressing, and you are lucky enough to discover a Hot One lurking among them, you can hear instantly how much better defined all the instruments and voices are. You hear the ambience and presence that's veiled on other LPs. Dynamic contrasts increase. It all starts to sound right, so right in fact that you quickly forget it's a record; you're just enjoying the music.

Disbelief has been suspended.

Plastic or Music?

On the top copies the presence of the vocals and guitars is so real it's positively startling at times. What started out as a great Beatles recording had turned into a great Beatles album. Now it's a piece of music as opposed to a piece of plastic.

Just play Baby It's You to hear what we're talking about. When the boys all say "Oooooh," you can pick out WHO is saying it and HOW they're saying it.

Anna (Go To Him) is another stunner. It's Tubey Magical with amazing immediacy and presence. The voices are PERFECTION -- smooth, sweet, rich, full and breathy. The overall sound is lively and energetic with a meaty bottom end -- in other words, it really rocks!

We Love This Music!

The first Beatles record is nothing short of amazing. It captures more of the live sound of these four guys playing together as a rock and roll band than any record they ever made afterwards. (Let It Be gets some of that live quality too and makes a great bookend for the group.)

Excerpts from the Pitchfork Review

The Beatles' life as a rock'n'roll band -- their fabled first acts in Hamburg clubs and Liverpool's Cavern-- is mostly lost to us. The party line on Please Please Me is that it's a raw, high-energy run-through of their live set, but to me this seems just a little disingenuous. It's not even that the album, by necessity, can't reflect the group's two-hour shows and the frenzy-baiting lengths they'd push setpiece songs to. It's that the disc was recorded on the back of a #1 single, and there was a big new audience to consider when selecting material. There's rawness here-- rawness they never quite captured again -- but a lot of sweetness too, particularly in Lennon-McCartney originals "P.S. I Love You" and "Do You Want to Know a Secret".

Rather than an accurate document of an evening with the pre-fame Beatles, Please Please Me works more like a DJ mix album-- a truncated, idealized teaser for their early live shows. More than any other of their records, Please Please Me is a dance music album. Almost everything on the record, even ballads like "Anna", has a swing and a kick born from the hard experience of making a small club move. And it starts and ends with "I Saw Her Standing There" and "Twist and Shout", the most kinetic, danceable tracks they ever made.

The "evening with the band" feel makes Please Please Me a more coherent experience than other cover-heavy Beatles albums: Here other peoples' songs work not just as filler, but as markers for styles and effects the band admired and might return to as songwriters. McCartney, for instance, would go on to write songs whose drama and emotional nuance would embarrass "A Taste of Honey", but for now he puts his all into its cornball melodrama, and the song fits.

And as you'd imagine, the vivid voices means Lennon's kamikaze take on "Twist and Shout" sounds ferocious. Done in one cut at the session's end, it could have been an unusable wreck. Instead, it's one of the group's most famous triumphs. This sums up the Beatles for me. Rather than a band whose path to the top was ordained by their genius, they were a group with the luck to meet opportunities, the wit to recognize them, the drive to seize them, and the talent to fulfil them. Please Please Me is the sound of them doing all four.

Right right-line