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Prog Rock and Art Rock

Below are links to help you find the PROG ROCK and ART ROCK albums on the site. Both genres are described in the commentary below.
Our PROG ROCK Albums with Hot Stampers

Some of the PROG ROCK Albums We've Reviewed
Our ART ROCK Albums with Hot Stampers

Some of the ART ROCK Albums We've Reviewed

Sku # : allprogrock

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Prog Rock and Art Rock are two almost interchangeable terms describing a mostly British attempt to elevate rock music to new levels of artistic credibility. The differences between prog-rock and art rock are often slight in practice, but do exist. Prog-rock tends to be more traditionally melodic (even when multi-sectioned compositions replace normal song structures), more literary (poetry or sci-fi/fantasy novels), and more oriented toward classically trained instrumental technique (with the exception of Pink Floyd).

Art rock is more likely to have experimental or avant-garde influences, placing novel sonic texture above prog-rock's symphonic ambitions.

Both styles are intrinsically album-based, taking advantage of the format's capacity for longer, more complex compositions and extended instrumental explorations.

In fact, many prog bands were fond of crafting concept albums that made unified statements, usually telling an epic story or tackling a grand overarching theme.

In addition to pushing rock's technical and compositional boundaries, prog-rock was also arguably the first arena where synthesizers and electronic textures became indispensable parts of a rock ensemble. The earliest rumblings of progressive and art rock could be heard in the poetry of Bob Dylan and conceptually unified albums like the Mothers of Invention's Freak Out! and the Beatles' Sgt. Pepper's Lonely Hearts Club Band, all of which suggested that rock was more than just teenagers' music and should be taken seriously as an art form.

Prog-rock began to emerge out of the British psychedelic scene in 1967, specifically a strain of classical/symphonic rock led by the Nice, Procol Harum, and the Moody Blues (Days of Future Passed). King Crimson's 1969 debut In the Court of the Crimson King firmly established the concept of progressive rock, and a quirky, eclectic scene was taking shape in Canterbury, led by the jazzy psychedelia of the Soft Machine. Prog-rock became a commercial force in the early '70s, with Emerson, Lake & Palmer, Yes, Jethro Tull, Genesis, and Pink Floyd leading the way.

AMG Genre-ography

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